One Amazing Thing. Chitra Banerjee Divakaruni. USA: Hyperion, 2009. 209pp. Under the rubric of Commonwealth Literature, there is always a bewildering array of overlapping and intersecting experiences between ‘home’ and ‘abroad’. The ‘rootlessness’ which is central to an immigrant consciousness also connotes an underlying phenomenon of ‘give-and-take identity politics’ of a pre-defined identity along with the coterie of religious, cultural, racial, social values and norms thus become a site of hope, of a new beginning. All these issues come up in a unique fashion in One Amazing Thing by Chitra Banerjee Divakaruni. This is unique from the perspective that unlike her other works where India is mostly viewed through the eyes of Indian natives, here in this novel there are some non- native characters who aspire to settle nowhere but in India with the hope of fulfilling their dreams which were otherwise lost in the materialistic soil of America. In One Amazing Thing, there are only nine characters and the plot is neatly developed around there lives and individual experiences. All of them meet on the day when they are caught by the unpremeditated massive earthquake which hit the US visa office of the Indian consulate. It is on this day each of them shares an ‘amazing’ story from their private life which also provides an avenue for the understanding of the dynamics of immigrant experiences. Before beginning with the details of the work, I would like to mention that the author
The Seventeen Second Miracle’s opening sets a melancholy mood. “ Just a few feet away, in the shadow of a stack of unopened birthday gifts. Sparks knelt beside her lifeless sister.” The author presents the situation of Flick, Sparks, and Rex to catch the reader 's attention. It effectively does that when it portrays Flicks sudden death.
Celeste Ng: A Woman confronting Racism, Privilege and Feminism in modern America In an interview with Hippo Reads Celeste Ng states how Cultural issues don 't have to be a barrier, but you can 't pretend they 're not there (Big Reads NEA 2). Furthermore, in her book Everything I Never Told You, she expands on this issue saying, “People decide what you 're like before they even get to know you” which supports how as a Chinese-American woman, and part of a Minority, she is affected by Racism -blatant and inconspicuous-, Cultural differences and even Xenophobia. (Everything I Never Told You) Expressing these in her works, as major themes or conflicts, helps her advocate them in order to make a change.
I read A Piece of Cake: A Memoir. It was written by Cupcake Brown. This book was very inspiring and emotional. The story begins with a memory as to why her mother named her Cupcake. Cupcake 's mother died when she was 11.After that she got taken away from the family she knew.
Interview of Sejal Patel Introduction For centuries the United States has been one big melting pot, there is no other place that has such a diverse population. The different ethnicities that have been brought here from different countries has helped shape America into what it is today. Sejal Patel and his family are a prime when it comes to example bringing their India culture into America and trying to keep the customs alive. Sejal’s father is my mother-in-law, Ann, employer.
The other two novellas by Malouf Fly Away Peter (1981) and Remembering Babylon (1993) have the Queensland coast as their primary locales. The place of the author’s nativity. He has been to India during the Australia-India New Horizons’ initiative in 1996 which was sponsored by the Australian Government to foster bilateral ties.
How fitting, that A Long Way Home - a chilling memoir of Saroo Brierly, should evoke Charles Dickens opening line in A Tale of Two Cities “It was the best of time, it was the worst of time”. The best of time when Saroo ultimately is adopted into a good-hearted family, the worst of time when Saroo’s family in Khandwa is engulfed in the lugubrious belief that their beloved son is gone forever. Notwithstanding growing up with devoted parents in Australia, Saroo is still manacled into the idea of finding his home in India by some illusory memory about the train route that renders his getting lost. The train running from Burhanpur to Kolkata not only bears witness to the unimaginable journey of Saroo from India to Australia and back again, but it also appears as a landmark In A Long Way Home, Saroo’s upbringing in India is cemented to the utter penury and religious dichotomy of the Indian slums’ culture, which is not entirely brought on when forgetting to mention the conspicuous train running boisterously day and night.
Most people move from one house to another at some point in their lives. It’s a milestone in life, yet not everybody moves to the opposite side of the world, and few people do it twice. However, for Senior Shravani Deo, this is a fact of life. “I was born here in Austin, and I moved to India when I was four and after eight years I moved back, and that definitely allowed me to appreciate the things around me. For example, in India, in schools at least, you don’t have a lot of privileges, you don’t have a lot of the freedoms like we do here.
“Somewhere Over the Rainbow,” has been performed by many inspirational instrumentalists, and singers, who have added their own personal touch to the classic. Israel Kamakawiwo’ole’s version of “Somewhere over the Rainbow,” can be compared and contrasted with Art Tatum and Judy Garland’s version in many ways. This short essay will include how each artist used elements of music differently, including texture, timbre, melody, harmony, and rhythm. First, the timbre of Garland’s voice is soft and sweet with a lot of vibrato.
Amusing the Million by John F. Kasson uses Coney Island as a turning point in American history before World War I. Coney Island at the rise of a new mass culture during the twentieth century allowed society to be free from the ever so conformity that the government has bestowed upon them. Being free from the urban industrialized genteel control; the creation of Coney Island served a purpose to detach from the formal culture in which they were living in. This era has sparked cultural freedom with that gave society a thrilling new find in amusement parks which went against societal genteel norms. Coney Island was used as an escape from the industrialized life that wanted to establish civil order. Kasson explains the turn of the century that encompassed educators, critics, and genteel reformers who took charge in controlling the public.
Within this extract of Lahiri 's book, 'The Namesake ', Ashima experiences America for the first time. The text is particularly significant because of the opposing traditional Indian background from which she comes from causing her to feel like the two cultures do not coincide. Lahiri highlights these differences by presenting America from Ashima’s perspective to reflect her opinion being that is lacks spark, is discreetly disgusting and immensely lonely. Despite her attempts to become accustomed to this unfamiliarity, Ashima feels alienated as she cannot ignore the absurdity of her new lifestyle. Lahiri presents Ashima to despise the dull nature of America.
Sandra Cisneros is a famous poet from the late twentieth century. Most of her work is popular due to her profound thinking. Her work was very unique and incorporated an extraordinary type of dreamy abstraction. Most observers of her work can agree on this. My Wicked Ways, proved her talent to be “extremely electrifying”, according to the The New York Times Book Review.
In the essay “Two Ways to Belong in America,” from 50 essays, Bharati Mukherjee contrasts the different views of the United States from two Indian sisters. The author distinguishes her American lifestyle to her sister’s traditional Indian lifestyle. Both sisters grew up in Calcutta, India, moved to America in search of education and work. Bharati adjusts to the American society very quickly, where her sister Mira clings to her Indian traditions more strongly. Despite both sisters living in America, only Bharati is an American citizen, while her sister Mira is not.
I read The Spectacular Now by Tim Tharp published in 2008 last summer. The Spectacular Now is a romantic young adult novel told from the perspective of high school senior, Sutter Keely. He parties nightly and drinks from sunrise to sunset. Consequently, Sutter’s life spins out of control, taking his girlfriend, Aimee, along the way. However, consequences are the least of Sutter’s worries, for his mantra is to live life in the now.
Coming from the other side of the world, senior UzZ’wal Sunuwar is able to get a glimpse of a culture he is not usually acquainted with, as Kathmandu, Nepal is very different from the United States. Sunuwar was faced with the many struggles of fitting in, learning completely new ideas, and pushing through the numerous cultural barriers of travelling and being immersed in a totally new environment. Sunuwar originally wanted to travel and study in the United States because of the better educational opportunities. “The studies are better than in my country,” describes Sunuwar.
One’s past does not necessarily determine the course of his/her life but it cannot be said that it does not affect it profoundly. This is certainly the case for the children of the Ganguli family whose memories of their Bengali origins and multi-cultural upbringing heavily influence all aspects of their lives both socially and professionally. Their parents Ashoke and Ashima were both acutely aware of how disparate their culture is compared to that of America. For this reason struggled to maintain certain Indian traditions, while adapting to American customs, such as Christmas, solely for the sake of their children.