In the play Appropriate that was put on at Colorado State University, is a play about the Lafayette's, an dysfunctional family that gets mixed up in racial situation. The purpose of putting on this play was to show how with all the racial tension going on around the world, everyone has their only views on what happens. This also showed how being put in to situation, like the Lafayette’s were put in, make it a lot harder to deal with. During the play they show how different people look and react are racism. The director was showing how different nationalities and religions, try to deal with situation even if it all blows up. They were able to show how different people tend to acted towards racism tension. They did an okay job with the staging of the set but they defiantly had flaws with it. I went to see the show twice, the first time I sat in the first row in house left. With some scene it was difficult to see what was happening on stage because I had boxes and tables in the way of seeing things that happened behind them. The second time I watched the play I sit towards the center of the auditorium and fourth row. In this seat I was able to see the stage better and when scenes that I could not see very well before I was able to see better, and see more …show more content…
At the end of the play they have 8 little scenes that was covered over 10 minutes. This is when everyone has left the house alone, it starts to decay. They had really good special effects with showing how the house was decaying, by the chandelier falling, or when a shelve that had plates on top of it fell. Through out this time, between the little snippets, they turn of the lights off and put fog into the theater. To me this showed the course of time, and was able to project the lights more. They also did this at the beginning of the play. They pumped fog into the theater for the first scenes so the phone flash lights projects out
Most people do not enjoy talking about sensitive topics because they feel uncomfortable, so it is amazing how someone would write a play discussing one of the most sensitive topics, which is racism. I would think, many people would stay away from watching a play that could cause them to feel awkward. However, I was surprised to find out that this play is very popular, and this play was even created into a movie. My favorite scene of Spinning Into Butter was ending because the characters were openly honest, and the only way to end racism is to talk about the issue. Furthermore, this play is relevant in everyone's life, so it easily makes a connection with the audience.
In Liz Flahive’s play From Up Here, she explains how a family deals with the aftermath and acceptance of a school shooting at the hands of their son/brother. In some way or another they all deal with the acceptance, or lack thereof, from those that are around them. Many themes are covered in this play such as betrayal, acknowledgment and looking deeper than what is on the surface. In the beginning of the show you get this overwhelming feeling that this family has does not listen to each other.
The changes in lighting creates the feeling as if this is happening in two different places when in reality the characters are quite close together on the stage. The characters in this scene are coming to terms with their realities, and the lighting not only highlights the action, but also represents their own process of
With each scene being completely disconnected from the previous one the set had to change around every time a new scene was starting. Including two turntables and backdrop where projection could be made, helped the scene to feel more realistic to the location the act was supposed to take place. The scene “What?!?” had the turntable set to where there was a door and a park bench. The backdrop had a house projected on it. These elements made the audience understand that the scene was taking place outside of a house.
Fly In Fly Out directed by Howard Cassidy and performed by Tammy Weller, Peter Cossar, Stephanie Tandy, Toby Martin and Timothy Potter is a play about the lives of people living in Fly In Fly Out communities across Australia. The story follows the character of Jenny and how the ‘Fly in Fly out’ workers are affecting her life as well as the town. Jenny’s life suffers from a work/home life imbalance and Tammy Weller who performed the role used the dramatic languages to convey the central theme of work/home life imbalance. Through the elements of situation, relationship, voice, movement and tension, the dramatic meaning was successfully communicated to the audience.
The documentary film, Crisis in Levittown, reveals racism in all-white Levittown, PA during the onset of the Civil Rights era. The Myers’ integration to all-white Levittown aided in the Civil Rights Movement, because it publically displayed that African Americans are equal. It portrayed the similar lifestyles between the stereotypical Levittown resident with the Myer family. The film captures the underlying reasoning for racism, which is fear. it reveals some residents of Levittown that are antagonistic towards an African American family living in their all-white community.
The film depicts how Morgan Freeman struggled to effect the change in the lives of the individuals by removing away the segregation boundaries. He offered to stand at the expense of abolishing segregation system and come up with an integrated system of education still there was a lot of resistance. The resistance was mainly coming from the whites. It’s so unfortunate that up to the late years of 1997 the integration was not affected in most parts of the United States including the Charleston, Mississippi, while the film is acted (Goleman,
Guys and Dolls is one of the most memorable works by Frank Loesser. It features many standards used in the American Musical Theatre cannon today. The real draw is the script: based on stories by Damon Runyon and spruced up by ‘His Girl Friday’ scribe Ben Hecht, it strikes such a perfect blend of salty and sweet that it’s almost a shame when the band strikes up and the jazz hands come out. Brando is hulking charisma personified, scrawny Sinatra still has the most remarkable voice ever committed to two-channel audio, and the pastel-shaded, neon-lit sets are a marvel. Oh, and lest we forget, the two main characters are called Sky Masterson and Nathan Detroit, which should give you some idea of the depth of deep cool we’re talking here, pops.
Nonetheless, there were several instances throughout the play where I enjoyed being an audience member. The audience impacted my experienced because it was filled with a diverse group of people who not only laughed at different jokes throughout the play, but they were also accepting of scenes that touched personally for African-Americans, which showcased how that night people were respectful of hearing dialogue, culture, and heritage from another group of people’s perspective. The central part of the play I was able to engage with was the discussions of what it meant to be an African-American in a white society. The cultural connections of being from the ancestral history of an African but being of African-American descent were very obvious
While both stage and screen portrayals were highly acclaimed there are some similarities as well as some marked differences in each interpretation. On the surface, the first difference noted between the stage and screen versions are the sets. The stage version describes the setting of the play, the Younger family living room, as a
The lighting crew, for the production of A Charlie Brown Christmas, set everything together so people to know what to look at on stage. Using different lighting tools to create stars, snow, and mood. Another use of lighting was making the spear that was hanging up in the sky change. When it was orange it was daytime, when it was blue it was night, and black means they were inside. The color change really helps the audiences know
On March 28th, I had the pleasure of attending the Broadway show called “The Play That Goes Wrong,” located at the Lycuem Theatre on 149 West 45th Street. On this particular Tuesday evening, I just had a vibe that something wrong was going to happen in this play – shockingly. I did believe this play will truly be memorable judging by the fun quirk of the show’s name. After watching the performance for about two hours, I can conclude that this play went beyond my expectation as its set disasters and characters amusingly caught the attention of me and the rest of the audience.
I enjoyed the comical and lighthearted dancing and singing approach the characters had to the somber situations around them. Watching this few years later and after taking a Text and Meaning course, I was struck at the sheer amount of things that stood out. The Negroes were declared “other”. In post colonialist theory, declaring one race “other” marginalizes them and stresses on how
The use of contrast and the play with light and darkness is fascinating. It has a great psychological effect on the audience. The Don Corleone’s office is submerged in darkness and the characters in the scene come in and out of the light, thereby directing the focus onto them. A very large part of the film is shot in low key lighting, to emphasize on the theme of the film which is essentially, the life story of the Mob in
Conservatory student presented this musical play “Dogfight” directed by artist David Hemsley Caldwell who has also directed previous conservatory productions of Violet, Loot, A New Brain, Bat Boy, Company, Jacques Brel, Hello Again and Hay Fever. The play was a musical about a group of marines betting $50 each in “dogfight” where all of them try to win the money by bringing the ugliest date they could find. The setting takes place in San Francisco on 21 November 1963, Vietnam and San Francisco 1967. The marines treat women less than they should be treated until one of them starts falling in love with the same woman he treated as “ugly”. The play’s motive is simply to show that “Everyone has the power to choose empathy and compassion even in