Victoria Berkel
ARTH 1010:A003
Prof. Kinsey
May 16, 2016
The Importance of Space and Art
Barbara Kruger’s 1987 Untitled (we don’t need another hero) silkscreen/vinyl (90” by 117”) is a photograph of a young girl pointing to the muscle of little boy flexing his arm with red a strip and white text reading “we don’t need another hero.” It is suppose to depict a children’s book advertisement from the 50’s as shown through the black and white photo and iconic children Dick and Jane. Barbara’s use of a classic black and white photo of two iconic children mixed with a bold red strip of white text layered across the photograph is primarily useful to unite the conflicting colors and mediums together to create importance of the message. Barbara
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Kruger is known for “[her] signature red, white, and black graphic works have populated magazines, newspapers, art museums, billboards, train stations, and array of other public spaces to interrogate representation, power, and social change” (Museum 201). The “we” in we don’t need another hero creates the sense of identity with the viewer and is what ultimately captures the viewer to believe in the message. Barbara Kruger uses this pronoun tactic in order to grab the attention of society since her work is on a billboard plastered in the eyes of the public. It is an advertisement technique to use subject pronouns in order to persuade the viewer into identifying themselves with the message. Barbara sells her message to the public and to women in society during the 80s. When a woman reads this message they are engaged to critically think about why maybe this little girl is pointing to the muscle of the little boy. Kruger used an outdated image because in the 80s women were still inferior to men and they still had the mentality that men were dominating the world. Her message is direct but also subliminal in the way that it was placed on a billboard in a public space in Figure …show more content…
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—. Take it or Leave it: institution, image, ideology. Los Angeles: DelMonico,
When you can be yourself and it becomes an art, that’s when writing is fun. Barbara Mellix shares a great example of when she wanted to use "proper English", instead of her "black English." While doing so it made her feel uncomfortable and out of her realm. " "Thank you very much," I replied, my voice barely audible in my own ears. The words felt wrong in my mouth, rigid, foreign.
JSTOR, https://www.jstor.org/stable/26671325. Accessed 8 Feb.
explores the theme of feminism by giving forth to female vulnerability and patriarchal control. The objectification and sexualization of Connie highlight the oppressive nature of a patriarchal society, reinforcing the notion that women exist primarily for the male gaze and
New York: St. Martin's, 2009. 23. Print. Thompson-Cannino, Jennifer, Ronald Cotton, and Erin Torneo. "Chapter 10.
The Liberation of Aunt Jemima by Betye Saar describes the black mother stereotype of the black American woman. Aunt Jemima was described as a thick, dark-skinned nurturing figure, of amused demeanor. This stereotype started in the nineteenth century, and is still popular today. She features in Hollywood films and notably as the advertising and packaging image for Pillsbury’s ‘Aunt Jemima’s Pancake Mix.” The picture has a lady who holds a broomstick in one hand and a rifle in the other.
The Governmental Legend of the South “What the people want is very simple they want an America as good its promised. “Barbara’s parents were Arlyne and Benjamin she had two older sisters, Bernie and Rose Mary. Barbara was born on February 21, 1936.Barabra was a critized by her parents by not speaking correct English. They urged her to become a music director or a teacher, because they said that was only good for a black women at the time. Her sister did become a music teacher.
Barbara Walters’ career brings words such as “legendary”, “pioneering”, and “inspirational” to mind. She was more than just any other pretty person that was on a TV screen. “Walters was born September 25, 1929, and grew up in Boston, Massachusetts”(world book). From an early age, she had been surrounded by celebrities, many people say this attributed to her relaxed manner while she interviewed people. Her father, Louis Edward Walters, had opened a string of nightclubs called the Latin Quarter.
In a time where social strictures denied most women a future in the field of visual arts, Harriet Hosmer defied all social convention with her large scale success in neoclassical sculpting. At a young age, Hosmer had already developed a striking reputation, one that qualified her to study abroad in Rome under the tutelage of renowned sculptor John Gibson. As if this opportunity wasn’t rare enough for women artists in her day, Hosmer’s outstanding potential earned her the luxury of studying from live models.6 The respect she gained from taking this unconventional route to her success is one that entirely transformed society’s perception of women. Not only did her unique story serve as a catalyst in the progression of gender equality, but she also hid symbolic messages within each of her sculptures to find a way to penetrate her beliefs of equality through to any soul.3 As the National Museum of Women in the Arts perfectly captures, “[s]he preferred Neoclassical idealism to more naturalistic trends and rendered mythological and historical figures, such as Oenone, Beatrice Cenci, and Zenobia, Queen of Palmyra, with nobility and grandeur.
The Classic Journal, vol. 82, no. 4, May 1987, pp. 310-313. JSTOR, http://www.jstor.org/stable/3298000. Virgil.
This not only gives men a reason to abuse the female body image. It also creates a sense of awe for the woman as it create insecurities... When opening up the newspaper the first image you see is of a topless woman with a quote saying “DELICIOUS DANNI” (pg.3). Through the lexicon used it connotes that women are ‘pieces of meat’ therefore dehumanising the woman for a sexual object, for them just to admire. This links in with otherness as it amplifies the male expectation of women’s bodies.
The lack of counter arguments does not constitute a problem; rather, it creates an effect of harmony of the universal disapproval of crimes against humanity. The poem “Treblinka Gas Chamber” by Phyllis Webb is a snapshot of the horrors of genocide of Jewish people in Nazi Germany, describing children’s experiences to evoke a stronger emotional reaction. Similarly, the TRC’s “The History” explores the cultural genocide of Indigenous people in Canada as well as the barbaric treatment of children from the ‘superior’ race.
In her essay she uses ethos, pathos, and logos when she is expressing her own view on women’s body image. She also takes advantage strong Diction and tone to consistently show her side throughout the whole paper. Lipkin effectively tries to convince her audience that women in society have a wrong persecution of what they think a their body image should be like through credible information from personal information and
Women has greatly suffered in society from the beginning until now and no one seems to notice this prolonged issue that women have to endure in their daily lives. The media played a major role to how women are perceived in todays society. Nevertheless, in todays world more and more individuals are attempting to address the problem to solve this issue once and for all. Jennifer Newsom effectively convince her audience in an American documentary film: “Miss representation” to embellish the denigration of women in society and persuade the audience through the use of logos, pathos, and explicit visual images.
in Scientific Research. Ed. Sylvia Engdahl. Farmington Hills, MI: Greenhaven Press, 2015. Opposing Viewpoints.
From deodorant advertisements to clothes, women are shown as constantly running behind these hunky men as though they are a prized catch. This shows women in the worst light, that they would fall for the smell of a perfume or for a well dressed man. Men are barely portrayed as doing housework or taking care of children, since it has been stereotyped that this is a woman’s job. When sexual imagery is used, advertisements often consist of nonverbal cues as a signal to show that women lack control and authority than men. Women are shown as relatively smaller in height and their body language as being submissive, whereas the men stand tall and strong.