Bildungsroman expresses growth and education, gothic shows unexplainable events that not even the author can explain, and romance that isn’t you're typical Once upon a time, and Happily ever after fairytale. As Jane grows up where her actual parents are poor as all can be, she ends up living with her high class aunt and her cousins. Jane ends up going to school, where she first meets Mr. Rochester. While Jane is in school, she is expressed to discipline and education. As she gets older, she falls for Mr. Rochester and than the unexplainable horrific events start happening. Coincidence? I think not, Charlotte Bronte, takes everyone's favorite genres, horror, romance, and reality, and creates it into one book! Jane Eyre lives with her aunt, …show more content…
She ends up falling in love with two men, who love her, (at least that’s what she thinks) who have two different ways of showing love. Mr. Rochester was more mysterious which Jane realizes because he does not want to express his identity to her. Jane does not push Mr. Rochester away just because he will not show his identity to her. Mr. Rochester expressed his love for Jane. He proclaimed, “My bride is here,” he said again drawing me to him, “because my equal is here, and my likeness. Jane, will you marry me?” (Jane Eyre, Chapter 23) Jane is very much in love with Rochester, but there is one problem that keeps Jane away from marrying Rochester, he is still married. So she turns to another man, his name is Saint John Rivers. He is not so much in love with her as Rochester was, and he does not show emotions as much as Rochester had. Even though John had mentioned marriage several times, he did not mention it in the tone of love, but more for business. John explained to Jane that if they get married, all she would be good for is missionary work. “A missionary's wife you must shall be. You shall be mine: I claim you - not for my pleasure, but for my sovereign’s service.” (Jane Eyre, Chapter 36) It was appalling to Jane that John only wanted her for work purposes, so she turns back to Rochester, they get married, and than unexplainable events stat
She receives it. With a certain disappointment, he returns to the table,” (Miller 50). John is still very much in love with his wife and he wants them to be ok. That's why he was disappointed when Elizabeth took the kiss but with a sort of resentment. So, not only does John have to deal with a teenager being in love with him but he also has to deal with his wife drifting away from him.
John is Jane’s husband who is trying to control every aspect of Jane’s life. Jane states, “There comes John, and I must put this away-he hates to have me write a word.” (Gilman) This is just one of numerous situations and statements that the narrator shares with the audience. John’s influence also plays a big part in his dysfunctional marriage with Jane.
Rochester's first interaction was when Mr. Rochester fell off his horse and Jane helped him in the woods. This might foretell that Jane is going to help Mr. Rochester again when he has troubles and need help getting through them. Then we they meet at the house, he kind of ignored Jane and he was “left alone” and “did not take his eyes off from the group of the dog and child (Bronte 175), however after he asked Jane to sit down, he immediately started acting rude and impolite. Jane felt that this was completely normal, and if he did otherwise, she would be shocked. Then Mr. Rochester deems interested in Jane because of the way she answers all his questions.
Finally, the details about society show that Jane recognizes the standards of her victorian society and needs to abide by them. After Jane had thought awhile, she no longer “felt justified in judging” Mr. Rochester and Blanche for “acting in conformity to ideas and principles instilled into them.” Though Jane wishes to be loved by Mr. Rochester, she comes to the realization that rich men do not marry lower-class women in her
Jane requests to return to the Reed house, after learning about her cousin’s suicide and her aunt, Mrs. Reed’s, illness; however Rochester questions, “And what good can you do her… you say she cast you off,” Jane replies, “Yes, sir, but that is long ago; and when her circumstances were very different: I could not be easy to neglect her wishes now” (Brontë 227). Jane looks beyond that Mrs. Reed “cast[ed] her off,” implying that she has grown to let go of grudges and developed a mature mentality. The irony of Jane’s inability to “neglect her wishes,” infers how the injustice treatment of Mrs. Reed unaffectedly brings Jane to look past the situation by visiting the Reeds in a time of sorrow. In addition, Rochester attempts to convince his wedded Jane to stay with him, after learning about his mad wife; Rochester claims that his father had “sent [him] out to Jamaica, to espouse a bride already courted for” him but only so his brother and father to get “thirty thousand pounds,” Rochester further admits to Jane that “you know now that I had but a hideous demon. I was wrong to attempt to deceive you…
Who in her quest to replace the wife of the man she had an affair with (John
Jane stands up for herself through demonstrating resistance to forces that go against her. Jane does not want to marry St.John. She says what she wants to say "I scorn your idea of love" (471). She believes his love for her, is a mockery. She is not letting him get away with that.
To simply the question, does she choose the Prince, who is saintly, and on a mission to help others, or does she choose the Beast who hold so much passion, that it is hard to contain? When meeting a stranger you immediately take in their appearance and features, just as Jane does after coming face to face with Mr. Rochester for the first time, noting that he had a “dark face, with stern features and a heavy brow; his eyes and gathered eyebrows looked ireful and thwarted” (Bronte Ch.12). During this encounter it becomes obvious that Rochester is more than a little rough around the edges, being rude and abrupt, while openly judging Jane. Shortly after her encounter with Rochester, Jane realized that the craggy faced man is the wealthy owner of Thornfield Hall.
The tactics he employs to get his way also provide insight into a major theme of the novel. The major motive for all of Mr. Rochester’s deception was to win Jane’s heart so he could marry her. He is shown to be very intuitive
{Rochester admits that he could not be alone and that he has always craved some type of love even if he didn’t love his mistress back.} He tells Jane, “Yet I could not live alone; so I tried the companionship of mistresses. The first I chose was Celine Varens--another of those steps which make a man spurn himself when he recalls them. You already know what she was, and how my liaison with her terminated. She had two successors: an Italian, Giacinta, and a German, Clara; both considered singularly handsome.
Rochester was a major influence on Jane as this was a critical time she was maturing, yet she did not let him get in the way of her work. The work that was expected of her what always her top priority, Rochester was her second. “I believe he is of mine;—I am sure he is,—I feel akin to him,—I understand the language of his countenance and movements: though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him” (Bronte 266). The relationship between Rochester and Jane was undeniable.
Before Rochester, and his influence, Jane had been accustomed to men in power such as John Reed and Mr. Brocklehurst. Their influences on Jane were more negative as they tore Jane down instead of putting her up. These figures allowed the arrival of a seemingly encouraging, kind, and adoring man such as Rochester to be a shock to Jane when she was first employed at Thornfeild. This stems Janes biggest growth from Rochester, the bettering of her self-esteem. Due to Rochester’s exaggerative language he constantly teaches her the value of her self-worth and her beauty.
As an adult, Jane asserts her independence by rejecting unequal marriage. When Jane finds out that the man she was to marry, Mr. Rochester, was already wed, she ran away. Mr. Rochester pleaded passionately for her to stay, revealing his unfortunate history and even threatening to use physical force to restrain Jane. Both tactics failed since, as Jane puts it, her conscience personified strangles her passion for Rochester. Being a mistress to Rochester in addition to being financially and socially inferior to him prompts her to leave him.
The dual roles however prevent him from fully understanding Jane. Due to his authority, he prevents Jane from expressing her feelings. He continuously condescends her, calling her a “blessed little goose” and “little girl”, similar to Rochester patronizing Antoinette. It is clear that he does not understand Jane’s true identity because he only sees the surface of her personality. Their relationship conclusively destroys Jane due to John dehumanizing
- Edward is an economically independent man with a favorable status and influential connections still looking for a profitable match. Jane will be the one in charge to unmask him to the audience: “I saw he was going to marry her [Blanche Ingram] for family, perhaps political reasons, because her rank and connections suited him” (Brontë 205) This manner of conduct converts Mr. Rochester from a hero into a villain, a perpetrator and “his project of