Tennessee Williams is acclaimed for his ability to create multi faced characters such as Blanche Dubois in the play, A Streetcar Named Desire. She comes to New Orleans after losing everything including her job, money, and her family’s plantation Belle Reve, to live with her sister Stella. During her time there she causes many conflicts with Stella’s husband Stanley and tries to get involved with the people there, all while judging them for their place in society, although she is imperfect too. Through her, Williams has created a complex character. She is lost, confused, conflicted, lashing out in sexual ways, and living in her own fantasies throughout the entirety of the play. Blache is destroyed by her own characteristics: alcoholism, promiscuity, and cruelty. During the time this play was written, alcoholism, although very abundant in culture, was never discussed but rather hidden. As a result of societies standards Blanche takes on concealing the truth about her drinking problem. For example, when Blanche first arrives at the Kowalski 's house one of the very first things she does is finds a bottle of liquor. “[She springs up and crosses to it, and removes a whiskey bottle. She pours a half tumbler of whiskey and tosses it down. She carefully replaces the bottle and washes out the tumbler at the sink]”(1.71) Blanche tries to separate herself from reality when she drinks, trying to forget and escape her troubled past. Being in a new environment is unsettling. With the
“Tragic characters are “efficient” only in courting, suffering and encompassing their own destruction.” was once said by Gassner. In A Streetcar Named Desire, Gassner's definition is valid and accurate for one of Tennessee William’s main characters in the play, Blanche Dubois, sister of Stella Kowalski. Blanche Dubois is a character who at the end leads herself to her own downfall, along with the influence of her brother-in-law, Stanley Kowalski, who perpetuates her demise. By Tennessee Williams creating a complex web of conflicting emotions, it creates tension between these characters (Blanche and Stanley). Blanche draws in our attentions with her sincere and delicate personality, which it turns out later in the play to be an illusionistic
Examining Marriage in Tennessee William’s A Streetcar Named Desire Tennessee William’s 1947 play A Streetcar Named Desire takes place in Elysian Fields, New Orleans, and portrays the marital situation of this time. This play illustrates conflict over the marriage of Stella and Stanley. This marriage can be seen as strict, and controlling but also full of lust.
Blanche represented hamartia in many ways which can include of her compulsive lying, creating a fantasy for herself and others, drinking antisocially, and her inability to be independent. Blanche 's dependence on men throughout the play was a main theme that Williams
Blanche needs help and is hoping that her sister will take her under her wing. Blanche and Stella are both from the old south raised with values, but the values mean nothing to either one of the girls. Williams’s play, A Streetcar Named Desire, displays the theme of cruelty and violence through the relationship of Blanche and Stanley. The relationship is seen in the way he treats her throughout the play, in the final scenes when he
It is what is haunting Blanche’s life, it is what has made her mentally unstable. Throughout the play, she has been hiding her past from people so she looks like
It is Blanche’s obsessive desire for a clean slate that ultimately drives her streetcar into destruction. With each lie she tells, the last lie becomes a reality to her, and once her delusional reality begins to fade, Blanche recedes into a dark hole where neither she or anyone else could ever truly see herself
Williams uses the expressionist technique “The ‘Varsouviana’ is filtered into weird distortion, accompanied by the cries and noises of the jungle” to parallel Blanche’s inner mind and depicts Blanche’s deranged mental state after Stella’s betrayal. The imagery ‘Lurid reflections appear on the walls in odd, sinuous shapes’ highlights her mental turbulence and the stage directions ‘mysterious voices behind walls, as if reverberated through a canyon of rock…the echo sounds in threatening whispers’ heightens tension, positioning the audience to witness the overwhelming fear and exaggeration of her senses, further emphasising the detrimental impact Stella’s decision made. The Streetcar Named Desire also examines the influence that a person’s social standing can have. Stanley’s statement in scene 2 ‘The Kowalskis and Dubois have different notions’ indicates their social upbringing has influenced the way they think, hence disrupting their connection and loyalty towards one another. The use of their family name is metonymic for their ancestry and social standing, addressing the barriers derived from a social hierarchy which have affected their relationship.
Blanche is the master of liars and lies about the attraction that she has to alcohol. [She springs up and crosses it, and removes a bottle of whiskey. She pours a half tumbler of whiskey and tosses it down.] (Williams 8). Whenever Blanche first arrives at Stella’s house, she makes herself welcomed and decides to take a drink and then hide the fact that she had a drink.
But don’t look at me..” and “Open your pretty mouth and talk while I look around for some liquor”. 6) Identify two examples of Blanche’s deception in this scene. What does this reveal about her character? One example is that Blanche try to seem alright
Tennessee Williams wrote “A Streetcar Named Desire” (Williams, 1947) It is based in New Orleans a new cosmopolitan city which is poor but has raffish charm. The past is representing old south in America 1900’s and present is representing new America post world war 2 in 1940’s. Past and present are intertwined throughout the play in the characters Stanley, Blanche, Stella and mitch. Gender roles show that males are the dominant and rule the house which Stanley is prime example as he brings home food and we learn of one time when he got cross and he smashed the light bulbs.
This passage has been extracted from Act I Scene I of Tennessee Williams’ play, A Streetcar Named Desire. In this extraction, Blanche sees and interacts with her younger sister, Stella, for the first time in many years. Upon this reunification, Blanche is forced to take in the discrepancies between her fantasy expectation of what their reunion will be like and the reality of how her baby sister looks, acts, and lives. As Blanche dwells on how different the Dubois’ plantation Belle Reve is compared to Stella’s current social status and living conditions, Blanche’s unadulterated character is easily scrutinized.
“A Streetcar Named Desire” contains a strong lighting motif that repeats throughout the play. This usually involves Blanche, a character who shies away from any light that is drawn upon her, and is especially sensitive to light when her suitor Mitch is around. To Blanche, she is still young and beautiful in her mind, but when light shines on her she becomes afraid that Mitch will notice her aging skin, her beauty falling. This motif heavily implies how Blanche sees herself and the significance to her sexual innocence. To begin, throughout the play the audience begins to understand how Blanche sees herself.
Blanche flees a failed company and a failed marriage in attempt to find refuge in her sister’s home. Through her whirlwind of emotions, the reader can see Blanche desires youth and beauty above all else, or so the readers think. In reality, she uses darkness to hide the true story of her past. In A Streetcar Named Desire by Tennessee Williams, Williams uses the motif of light to reveal Blanche’s habit of living in a fantasy world until the light illuminates her reality. Blanche uses darkness to block her past from onlookers as to shape her image.
The Role of Fantasy and Purpose in Individuals “I don’t want realism, I want magic”- Blanche DuBois (Williams 145). In A Streetcar Named Desire, Tennessee Williams presents readers with the acute presence of fantasy in individuals’ lives. Every character fabricates fantasies in his life to gloss over his struggles and forget each other 's flaws. A Streetcar Named Desire evaluates individual’s use of fantasy as a crutch to avoid the hard truths and give purpose to an empty life. Blanche DuBois, the protagonist of the story, uses fantasy to cope with her world crumbling around her.
To hide her true self, Blanche restored to duplicity, coupled with her voracious desire and ubiquitous deception caused her a breakdown. In the following paragraphs, there will be more events that led Blanche to such end. One of the things that led Blanche to her downfall is the past. The past, where she was the reason why she lost her husband, Alan, he