In Shakespeare’s “Romeo and Juliet,” the “playboy” character of Romeo utilizes figurative language, specifically hyperbole, to manipulate the young-minded Juliet into falling for him. One would use such exaggeration to make someone feel extra special about one’s self. It renders that person vulnerable. They are capable of reaching their desires through words and this concept would fittingly apply to love as well. There are many boys out there who would try and get with a cute girl and they all do this through language. They are determined to get their loved ones and it will not matter what they say to do it. Romeo tells Juliet at their encounter,”My life were better ended by their hate than death prorogued, wanting of thy love.”(2.2.27-28)
“Learn to appreciate what you have before time forces you to appreciate what you had” (Unknown). In Act Three, Scene Three of William Shakespeare’s Romeo and Juliet, Friar Laurence expresses his distress towards Romeo’s recent behavior. In this monologue, the Friar believes Romeo should be thinking rationally to be appreciative of what he has. The use of figurative language in this outburst reveals how foolish and ungrateful Romeo has been.
This passage reveals that Juliet is impatient, which is demonstrated through the allusions in the text, the textual features, as well as the diction as it relates to the repetition of time. In this passage, Juliet makes allusions that reveal her impatience. The first allusion is, “nimble-pinion’d doves draw love.” This allusion refers to the fact that Venus, or love, rides in a carriage that is pulled by swift-winged doves.
Young love is hard to find and especially if it is not true love. Romeo always thinks that he is in love before he even meets them. In “Romeo and Juliet” written by William Shakespeare he uses different types of figurative language to display Romeo’s character and how love affects his personality. Shakespeare uses allusions and metaphors to show how dramatic Romeo is about love.
Metaphor “Peered forth the golden window of the east. ”(Act 1, Scene 1) Benvolio uses this metaphor when he is revealing the location of Romeo to the Montagues. He is comparing how the sun looks like a golden window. The sun is in the direction of East.
Friar uses personification along with other literary devices that helps the reader understand the theme. In Romeo and Juliet, Shakespeare uses elements of language in Friar Laurence’s speech to convey the idea that everything is both good and evil. In the first half of the soliloquy, Friar talks about the sky in a way that demonstrates how it is good and evil, like the light of the sun and the darkness of the moon. Friar starts his Soliloquy by saying, “The grey-ey’d morn smiles on the frowning night, Check’ring the Eastern clouds with streaks of light” (2.3.1-2).
In Act 1 Scene 4 of Romeo and Juliet, Shakespeare uses allusions to help support the theme of fate in the play. In the quote, “She is the fairies' midwife, and she comes In shape no bigger than an agate-stone On the fore-finger of an alderman…” Shakespeare alludes to common English folklore with the use of Queen Mab. In old English folklore, there were many beliefs of fairies influencing dreams.
Within the Play Romeo and Juliet by William Shakespeare there is a power thirsty, quick-tempered, and a hot-headed character named Tybalt who despises Montagues. Tybalt’s personality and motivation of violence and greed for power can be inferred by his use of figurative language. When Tybalt encountered Benvolio who came between the fight of the servants of Montague and Capulet, he shouts, "What, drawn, and talk of peace! I hate the word, As I hate hell, all Montagues, and thee: Have at thee coward. " Tybalt expresses his hate about peace by comparing it to Benvolio, Montagues, and hell.
Two star-crossed lovers who once caused so much commotion, brought peace to the rivaling families, with their passing. Romeo and Juliet is a tragic play written by William Shakespeare. The Capulet and Montague families have been rivals for years upon years. The quarrel was so big and continuous that it killed multiple people including the star-crossed lovers. In the end what brings the families together would be the death of their children.
What do you define as realistic? Whatever you may define as realistic, I think you should believe that Romeo and Juliet is very unrealistic. The play, written by Shakespeare, is mostly not realistic, because of Romeo & Juliet's love and the number of people who die in such a short amount of time. The first reason Romeo and Juliet is unrealistic is because of Romeo and Juliet's love.
In Romeo and Juliet there are two important allusions that show the amount of love and devotion people have for each other. The first major allusion is Petrarch and Laura, the other primary allusion is echo. Which both of these allusions show the true amount of love and dedication people can have for each other. The first allusion to support this theme topic is Petrarch and Laura.
Most teens need a good role model in their life and a trusted adult to talk to about important situations. Just like in Shakespeare’s Romeo and Juliet, Romeo gets to have Friar Lawrence there for him in important situations. Romeo does not feel comfortable talking to his family about serious things, so he goes to a trusted adult to talk to. Through the use of repetition of allusion, foreshadowing to the end of Romeo’s life, and personification of Romeo’s feelings, Shakespeare shows that Romeo and Friar Lawrence have a relationship full of love, friendship, and trust.
In this passage, Shakespeare utilizes metaphor and negative diction to characterize Romeo as a person who is conflicted and frustrated by love, which ultimately reveals the theme that love is uncontrollable, conflicting, and short-lived. Towards the end of act 1 scene 1, Romeo still has a big crush on Rosaline, but Rosaline has no feelings for him. Hence, Romeo experienced a sense of depression and is conflicted by love. In this passage, Shakespeare uses numerous metaphors. “Love is a smoke raised with the fume of sighs.”
Dramatic Irony in Romeo and Juliet The play, Romeo and Juliet by William Shakespeare, can be described as confusing, well written, dramatic, emotional, sorrowful, ironic, and much more. Shakespeare's use of dramatic irony makes the play much more enjoyable and realistic. Dramatic irony is used throughout the whole entire play, especially in Acts III, IV and V. Each Act has dramatic irony concealed beneath Shakespeare's beautiful Old English language. Juliet spoke in a very complex way. Most of what Juliet told her family, could be taken in two completely different directions.
Once in fair Verona, a bloody feud took the lives of two attractive young lovers and some of their family and friends. The Montague/Capulet feud will forever go down in literary history as an ingenious vehicle to embody fate and fortune. In Romeo and Juliet, Shakespeare uses literary devices, such as foreshadowing, repetition, and symbolism, to show how the Montague/Capulet feud is a means by which the inevitability of fate functions and causes the bad fortune of the lovers. To start with, Shakespeare uses the prologue to foretell future events as a direct result of the feud.
In the play Romeo and Juliet by William Shakespeare, he tells the story of two people who fall in love, Romeo, a Montague, and Juliet, a Capulet. Their families have been feuding for as long as they can remember, making their love for one another very dangerous. The two go to extreme lengths to be with each other, but this eventually results in both of them losing their lives. Throughout this story, Shakespeare conveys through his use of syntax and diction with wrathful tone that hatred can make people act irrationally loyal, and this hatred can cloud one’s morals. We first see Shakespeare demonstrate the dangers that come from fighting without proper reason in the very beginning between the characters Tybalt and Benvolio.