Tim Burton Creepy, unique, and gothic are some of he’s characteristics in he’s movies and clips like Edward Scissorhands and Beatlejuice, and Corpse Bride, and Charlie and the Chocolate Factory and also in the clip of “Vincent”. He’s very dark but creative of he’s use of lighting, costumes, and music in he’s clips, movies, and TV shows. Tim Burton twisted style is best conveyed through his use of showing danger, creating mood, and developing character.
Tim Burton’s use of lowkey lighting makes the movie darker and shows something creepy or bad. For example in Edward ScissorHands when Peg, the saleswomen, went upstairs to see Edward the lighting was low key, showing Edward was creepy. In the movie Beatlejuice the lighting was dark in the portal of lost souls, showing depression. Then in Corpse Bride when Victoria rose from the ground, the lighting was dark, lowkey lighting. Because she was creepy an also dead. Also in “Vincent” when the young boy thought of creepy and dark stuff like boiling he’s aunt and living with bats the lighting went very dark. Then In Charlie and the Chocolate Factor the room before the candy island was dark, gloomy, and kind of sad. So as you can see, all and all Tim Burton use of lowkey lighting accurse in almost
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For example In Edward Scissorhands, Burton give anyone in the neighbor bright and colorful and then he gives Edward a dark outfit to show he’s not like the rest of them. Showing he’s unique. Then in BeatleJuice Burton gives the daughter a full black outfit, showing she is different and dark. Also in Corpse Bride the dead girl had a different outfit then the rest of the town. She was in all white and the town was all black, showing that she was happy. Also in Charlie and The Chocolate Factory the oompa loompas have different outfits showing that there not from around here. Then in “Vincent” the young boy was in all black showing he’s mysterious and
High-key lighting demonstrates cheer and satisfaction. Then again, Burton shows evil and spooky pictures with relaxed lighting. Mr. Burton's lighting systems are totally his own. In "Edward Scissorhands"he stirs up the
Tim Burton Tim Burton; director, of Charlie And The Chocolate Factory, Big fish, Edward Scissorhands, and many more loved films. Uses many different cinematic techniques to portray mood and setting. Some of these techniques are, lighting, camera angles, and music. Tim Burton first uses camera angles to portray distances and sometimes height comparison. For example;
Tim Burton uses many styles in his films that he has directed. In Charlie and the Chocolate Factory, Edward Scissorhands, and Alice in Wonderland Tim Burton uses shot -reverse -shot and non-diegetic sound to make the audience feel that they don’t need to judge people from appearances. In these examples Tim Burton uses shot -reverse-shot to show people judging other people. In Charlie and the Chocolate Factory it shows Mr. Salt looking at Willy Wonka.
One way that Burton does this is when he uses low key lighting, mixed with side lighting, in Corpse Bride. When Victor is walking through the
Many people believe that Tim Burton is the most unique director of our time. By using cinematic techniques he points out the isolated character in the movie and shows how different they are than everyone else. Although it is consistent that these protagonist characters never fit in, what does vary is their desire to do so and many people argue that this reflects Burton himself. In Charlie and the Chocolate Factory and Edward Scissor Hands directed by Tim Burton, the use of a wishful protagonist and exaggerated characters conveys that no one should change who you are to meet society's expectations.
Tim Burton has used many stylistic techniques to give the audience an eerie and out of place feeling. For example in the film Edward Scissorhands, Tim makes suburban life look boring and pointless to the naked eye. In the film, the neighborhood appears plain and boring, filled with homes painted minty green or butter yellow. The castle where Edward thrived for years upon years is full of dust and spider webs as if the building hadn't been touched in years. We see these same style traits in the film Alice In Wonderland.
Edgar Allan Poe was an ingenious author, poet, playwright, and artisan in the morbid literature and arts. He had a momentous impact on the “gothic lore” genre, and many followed in his footsteps. One French poet named Charles Baudelaire, author of “Fleurs du Mal” (Flowers of Evil), spent a great deal of his time translating and commentating on Poe’s works. Poe’s most significant and notable impacts were on American author H.P. Lovecraft, and American artist and modern director Tim Burton. Lovecraft was popular in the early 1900s, most famous for his novel The Call of Cthulu (1926).
Both of these scenes were used to point out a specific character, which is an all around common reoccurrence in Burton’s directing style. Lighting is not typically used by Burton to create a feeling of suspense as many other directors do. Instead, Tim uses
Tim Burton contributes to the world of animation in the film industry and redefined stop motion . Lighting is an important cinematic technique directors can use to set the mood for a particular scene. For instance, high-key lighting is used to flood a scene with light, often making the set and characters appear happy and safe. In contrast, low-key lighting casts deep shadows across the set and characters creating a sense of danger. Burton makes good use of lighting techniques in many of his films.
These different lighting techniques are applied in the movie to help set the tone and mood for the film scene. The
In Edward Scissorhands, Tim Burton used costuming as a way to describe a person’s personality and intentions. In the movie, the people who have magnanimous intentions wore bright colors and more conservative clothes. While Edward did not have any intentions of being there, nor did he have a personality, thus he wore neutral colors. His style is peculiar in the movie with clothes and hair. When Edward is cutting hair in the movie he chose very uncommon hairstyles.
In Tim Burton films he uses cinematic techniques such as music and sound, lighting, and editing to emphasize the emotion and reaction of and to his movies. These techniques influence and the manipulate the audience's view on the film. In the majority of Tim Burton films, he produces a with underlying gothic themes, Claymation, yet they also contain a fairy-tale style on top of it. Tim Burton definitely has a unique and different style, that is very well recognizable. Using cinematic techniques makes his uniqueness more visible than you can imagine.
In Burton’s films, lighting is used to show happiness or sadness. For instance, in the movie “Charlie and the Chocolate Factory”, it is shown how dark and gloomy the town is while the factory is disconnected from society compared to when Charlie's grandfather was younger, working in an upbeat and colorful environment. Nevertheless, the lighting in his movies are manufactured for you to think a certain way of something when it could actually mean something else. With the accompany of lighting, Burton’s films
In the movie, Edward Scissorhands, Tim burton uses low-key lighting when Peg meets Edward for the first time in a castle. Edward was sitting in a dark corner and there was just enough light to see his face but not his clothes. This shows the amount of loneliness of Edward and that he was sad and frightened but also willing to make a friend when he approaches Peg. Also, in the movie, Charlie in the
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.