Iago vs. Grendel In well written short stories, movies, and books, readers are always drawn to the villians or characters with the dark backstories, and sometimes may even root for them. This is no difference when it comes to Grendel in the epic story of Beowulf, and Iago in Shakespeare’s Othello. But between these two fictional characters, most readers can feel for one more than the other. Both Iago and Grendel are seen as evil, but readers can sympathize more with Grendel because of underlying issues, like not being able to form relationships, while Iago shows tendencies of someone who can easily be diagnosed as a psychopath. In the story of Othello, there are many instances where readers can see what Iago has planned and watch it all unfold. …show more content…
From the very beginning of Othello, he was plotting and formulating every conversation and sabotage so it would execute perfectly. He lives his life for revenge and to get at people and bring them down, even people that he knows trust him. He has already formulated a plan and starts putting it into motion within the first three acts of the book (Zender and Omer). Iago is so invested in destroying people that he even takes notice to everyone’s weaknesses and uses them against the individual. This falls into the category of emotional shallowness and glibness, more psychopath …show more content…
Readers can learn some things about Grendel in Beowulf but in order to dive deeper into the character and who he is, people go to the book Grendel. The book takes a closer look at Grendel and how he discovers the order and disorder of people and the world (Sanchez). Grendel is thought to symbolize the dark side of humanity, or the sins of man (Farrell). It’s easy for readers to sympathize with Grendel at points because he is a natural outcast of society. He is said to be the son of Cain and because of that he was labeled from day one (Sanchez). It could be argued that he kills people who are at the hall because they are all having fun and socializing, but he isn’t able to do that so he punishes those who can. Readers see both sides of Grendel in his backstory because he is evil, but he is not evil for no reason, like
He is portrayed in the poem as a horrendous beast with human characteristics, but looking closer to the text, he is a human out-casted and raised to be a monster. Although Grendel is written as a monstrous villain who kills with no remorse, he is actually a complex human with a repressed anger exploding in bursts. Grendel is often described in a negative way. He is reffered to as a demon in the text “from Beowulf”
Grendel the “Monster” Do not underestimate the power of a human being. Monsters are everywhere near and far. The sources that will be discussed are Beowulf (2007) film, Printed Cantos and textbook, and the Grendel Excerpt by John Gardner. The portrayal of Grendel in the movie differs greatly from the cantos and excerpt because in the readings he comes off as such a greedy monster, but in the movie he is lonely and in need of help.
This does not excuse his actions, but this does give the reader a chance to sympathize and understand why he committed such crimes and why he envies everything around him. Grendel chooses to be bad when he can be good, just like how most humans in real life, tend to choose to be mean and malicious because of how easier it is to be mean rather than heal from past trauma and become a better person from growing from past experiences. Grendel is a character almost any reader can relate
While he knows that his actions are immoral, he embraces it fully by calling for evil forces to help in his plans to destroy Othello’s life. This imagery shows Iago’s true nature to the audience, one that wishes for the corruption of people’s lives and actively acting it out. Moreover, Iago refers to himself as a devil in a soliloquy after Cassio drunkenly --------, saying "When devils will the blackest sins put on, / They do suggest at first with heavenly shows, / As I do now" (2.3.351-353). He reveals his intentions to harm Othello to the audience, showing that he does not have empathy for Othello or those his actions would affect, showing his ------------------------------------------------------------------------.
He shows no remorse for the violent crimes he commits and acts as the main source of what barbaric truly is to the audience. The author introduces him in the poem by writing, “Grendel was the name of this grim demon haunting the marches, marauding round the heath and the desolate fens; he had dwelt for a time in misery among the banished monsters” (Beowulf 101-104). He is the farthest thing from God and everyone that encounters him can immediately identify him as someone who has no morals. Grendel’s outright defiance of all that is good is what leads him to own his demise because he is the reason Beowulf comes to the Danes.
He attempts to make peace, his actions are no different than those of others, and he is experiencing resentment. Although there is no excuse for murdering others, Grendel does not kill for the fun of it. His actions are just reactions to emotions he is experiencing. Furthermore, his willingness to make peace emphasizes the remorse he feels for the crimes he has committed. This also shows that he acted impulsively because of his strong feelings of resentment.
The classic hero vs. villian storylines have been used in traditional and nontraditional texts for centuries. The creators use classic character foil in order to achieve the distinguishable hero and villain. Othello by William Shakespeare uses character foil to achieve a , protagonist Othello and an ,Iago, antagonist the play and in the movie adaptation Othello by William Shakespeare, Iago/Ben Jago is a villain because of how he manipulates others in order to get ahead and they also have some differences, but in the play Iago is more of a villain than Ben Jago in the movie adaptation. Throughout the play Othello by William Shakespeare, Iago is a villain because of how manipulative he is.
This is the beginning of Grendel falling directly into the role that the dragon said he would need to fill. Grendel’s murderous tendencies completely reflect the monstrous side of his personality and the more he kills the more he grows insane, separating from rational, humanistic thought. “I am swollen with excitement, bloodlust and joy and a strange fear that mingle in my chest like the twisting rage of a bone-fire... I am blazing, half-crazy with joy” (168). It is clear that, by the time Beowulf arrives, Grendel has embraced the fact that he is required to be evil, despite the fact that he previously claimed he would oppose that destiny.
When it comes to the dangers of isolation, look to the people closest to you. Whether it be your best friends, family, business associates or whatnot. Then think about everything you do know. In the play Othello, it’s the people you are closest to that you actually don’t know even when you think you do.
Grendel in both stories is described as a vicious "Monster", but is viewed differently. The character of Grendel, in the novel by John Gardner, portrays a different visualization than that of Grendel in the epic poem Beowulf. In the novel the story is told in first person point of view which gives Grendel human qualities while Grendel in Beowulf is told in third person point of view not giving Grendel his standpoint. In both works, the authors give two different perspectives of Grendel. Grendel in the novel is not seen as a "Monster", but as a human that has emotions and is very sympathetic about everything that comes his way.
In the beginning of the novel, Shakespeare describes Iago as a mastermind of manipulating others. Iago holds a grudge and resentment towards the Moor, Othello, because another soldier, lieutenant Cassio, has been promoted
In the play Othello, William Shakespeare creates an elaborate tragedy with various in depth characters, enhancing the story with powerful characterization. Iago, the main antagonist of Othello, exemplifies Shakespeare’s use of characterization to create in depth and complex characters. Using his manipulative nature, intellectual mind, egotistical attitude, and dishonesty, Iago controls the other characters in order to achieve his goal, leading Othello to succumb to an overwhelming jealousy causing his downfall. In order for Iago to gain control of the characters in the play, he manipulates Othello, Roderigo, Cassio, and more to believe false information and turn on one another.
Iago is a unique and complicated character. He is intelligent in that he is able to manipulate people and events in his favour, which he thrives on throughout the play, classifying him as the antagonist of the play. Driven by jealousy and hatred, Iago plots against Othello to destroy his character and reputation. Knowing that if he foolishly attacked such a respected man directly, he would be sentenced to death. As a result, he devises to use other people to obtain what he desires by influencing the characters in the play to suit his plan.
The play of Othello is a tragedy that exposes the characters in several ways, causing conflict and envy, eventually leading to a tragic end. To achieve this tragic end, Iago uses manipulation in order to change the views of, and bring out multiple personalities in the characters. One's perception of a situation is directly proportional to the demeanor of a person. When a person changes the way that they look at a situation, the entire way that they present themself; their attitude, behavior, and traits that they exude, change.
While Iago fills the characters’ minds with lies, the characters will act according to the lies thinking he is honest. Although his lies are sometimes subtle it affects the Othello is one of the victims who believed Iago. You can already tell that Othello has been fooled when he calls him “a man [of] honesty and trust”. The audience already knows that Iago is a liar and loathes Othello, so the audience can tell when Iago is being two-faced and that Othello truly believes in him. Iago’s impact on Othello makes him lose control of his