Jealousy does not merely destroy the bonds of love, but also alters the lives of the people involved. In The Tragedy of Othello by William Shakespeare, Othello’s entire life is ripped apart by the detrimental lies fed to him by Iago involving his wife Desdemona.
William Shakespeare uses imagery, as well as personification to paint a vivid image in the reader’s mind of how jealousy can completely shatter someone’s life In The Tragedy of Othello. Othello’s life transforms the second he steps into Cyprus. Iago’s motives are devastating as he plan’s to take Othello’s position, regardless of the cost. Iago plants the seed of deceit and unfaithfulness when he hints of an affair involving Othello’s love, Desdemona and Cassio. An overwhelming feeling of jealously takes a hold in Othello’s life. Othello is no longer the well spoken, and respected army general that everyone knew him to be, but instead a short tempered man with little respect for
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Over Desdemona and Othello’s time spent in Cyprus their love becomes utterly devastated. Not only is the trust of their relationship gone but also accusations of unfaithfulness are established. These untrustworthy thoughts involving his love, lead Othello into, not only a violent state, but also create an erratic attitude. He is no longer a reasonable man, but dwells only on the jealous thoughts rooted in his heart . Jealousy, in this case ,is like a monster, it stays in the dark until your guard is down and your insecurities allow it to control your life. In The Tragedy of Othello, Iago believes the same thing. He warns Othello “O, beware, my lord, of jealousy!/It is the green-eyed monster which doth mock/ the meat it feeds on” (III.iii.165-167). The Monster demonstrated how jealousy can rip one’s world apart. This quote is so powerful, and by using imagery the reader is able to picture the monster as a symbol for
Jealousy is a major theme in Othello and this is illustrated through characterisation and the use of imagery. From the beginning of othello, the audience is aware iago is driven by jealousy and uses it as a tool to bring about the downfall of othello. His machiavellian nature was immediately shown when he stated “I follow him to serve my turn upon him.” The characterisation of Othello from the quiet and contemplated military pioneer to the visually impaired, infuriated 'darker demon ' that responders witness at last stresses, the powerful toxic substance that is jealousy. The remote chance of Desdemona 's unfaithfulness and the subject of her devotion are terrible for "valiant" Othello, he would rather "the general camp, Pioneers and all, had tasted her sweet body" than to have questions coasting in
In William Shakespeare’s Othello, jealousy is a major, plot-advancing mechanism, as well as one of the most prominent themes. As planted by Iago in Act III, Othello’s own doubts and jealous tendencies cause his demise. Shakespeare utilizes ambiguity, adoring tones, and the power of suggestion to develop the young hero’s unfortunate hamartia. In doing so, it is proven that sometimes naivety and too much faith in an unvalidated source of information can cause deadly miscommunication. Act III Scene III of Othello is dripping with ambiguity, specifically in the answers and suggestions of Iago as he discusses the faithfulness of Desdemona with Othello.
"Othello" by Shakespeare is a well-known and outstanding literary composition which pays distinctive attention to the dangers associated with jealousy. The play deals with the root and driving force of all evil and exemplifies how far jealousy can induce a human being as well as destroy lives by mere circumstantial evidence. According to Godfrey (1972), “Jealousy, once awakened, becomes self-perpetuating, self-intensifying, and where no evidence for it exists, the jealous person under the impulse of an extraordinary perversity will continue to manufacture it”. Jealousy manages the characters’ lives in "Othello" from the beginning of the play, when Roderigo feels jealousy towards Othello because he desires to be with Desdemona, and to the ending of the play, when Othello is furious with envy because he supposes Cassio and Desdemona have been engaging in a love affair. Some characters’ jealousy is generated by other characters.
In the tragic story of Othello, William Shakespeare the author suggests that when illusions become entangled in the lives of individuals, they often vulnerably become influenced, which conclusively lead to the destruction of oneself and their relationships. Iago uses this to his advantage and now puts into action of
As the play begins Othello is looking for a new Lieutenant. Iago has always been dependable to Othello, but he ends up overpassing the position to Cassio, who doesn 't know anything about war duties. Although Iago wants to exterminate Othello over of his jealousy of his popularity, he also wants to sabotage him because of the promotion that he thinks was mistaken, he uses Desdemona as a sin. Indeed Iago is going to destroy Othello because of the promotion that was misconstrued.
Another instance of how jealousy could blind one from distinguishing the truth would be how Othello cannot see past Iago’s deceiving lies. After just being manipulated to doubt his own wife, Desdemona, Othello speaks to himself, “this fellow’s of exceeding honesty and knows all quantities, with a learned spirit, of all humans, if I do prove her haggard.” Othello is constantly insecure of himself, though he never would imagine Desdemona cheating on him, Iago managed to “plant a seed” into Othello’s mind. Manipulating him that Desdemona is having an affair and he should keep a close eye on her. Now that Iago has managed to make Othello jealous, Othello would never see where and and when Iago is deceiving
Shakespeare 's Othello centers around the power of jealousy and how it can end up causing the death of a couple and some of those around them. Othello seems to grow incredibly jealous of his wife, Desdemona, and his lieutenant, Cassio’s fake affair that Iago, the villain, has convinced Othello of. As an act of jealousy, Othello decides to kill Desdemona to prevent her from hurting more men and then after realizing everything was part of Iago’s plan he kills himself due to the guilt he feels after having killed his wife. Shakespeare’s use of figurative language and symbolism in act 5 scene 2 reveals how even though Othello truly loves Desdemona, his jealousy for what he believes she has done has completely clouded his judgment and taken over
MLA International Bibliography EBSCOhost, doi:10.1353/jem.2015.0006. Accessed 14 Mar. 2017. Synopsis Jealousy is evident in Shakespeare’s Othello through several sources, but most commonly seen as possessiveness over the female characters (with a focus on Desdemona) in the play.
Nadia In the play Othello, by William Shakespeare, the title character is a valiant hero who is in love with his beautiful bride, Desdemona. The play’s villain, Iago, destroys this love by feeding Othello vicious lies about Desdemona, causing Othello to slowly go mad. By the end of the play, Othello, in a fit of jealous rage, murders his wife. This significant change in Othello’s character is not sudden; rather, it is a gradual transformation that takes place after a series of events that occur throughout the play.
In William Shakespeare’s Othello the two main characters are Iago and Othello. The entire story centers around Iago 's plan to achieve revenge on Othello for not promoting him to lieutenant. Throughout the story Iago tries to convince Othello that his wife Desdemona has cheated on him with his lieutenant Cassio. Iago’s plan is successfully and easily executed. Othello is tricked into believing that desdemona has been unfaithful and in the end he kills her.
Jealousy is first represented in Iago by his desire to become Othello’s lieutenant, however the position was offered to another character named Michael Cassio. Iago sincerely believes that he should hold the position of lieutenant and that the
Othello shows the two types throughout the story and the play, envy and fear, and how they can claw and chew away the the fragile human psyche, like a monster, trying to claw out of a deep dark hole that has had a trap on it for days without end. Othello is one of the great examples of how jealousy can teach us not to be overcome by dark things, to always stay strong and believe in our own thoughts, and that the poison known as jealousy, can make or break even the best of people a slow killing venom that makes the weak sick and twisted. This play teaches us that jealousy has no good outcomes, only horrid and how it shows no mercy to anyone. Jealousy is a card no one should or ever want to play with a deck full of
In the play Othello, William Shakespeare creates an elaborate tragedy with various in depth characters, enhancing the story with powerful characterization. Iago, the main antagonist of Othello, exemplifies Shakespeare’s use of characterization to create in depth and complex characters. Using his manipulative nature, intellectual mind, egotistical attitude, and dishonesty, Iago controls the other characters in order to achieve his goal, leading Othello to succumb to an overwhelming jealousy causing his downfall. In order for Iago to gain control of the characters in the play, he manipulates Othello, Roderigo, Cassio, and more to believe false information and turn on one another.
Shakespeare’s play, Othello, deeply explores the effects of jealousy on a person. Shakespeare also portrays the different types of jealousy and alludes to the causes of them. Othello is a tragic play written by William Shakespeare around 1603, about a man, Iago, who plots to take revenge on a Moorish soldier, Othello, for he has “done my (Iago’s) office”. The deaths of several people, including Othello’s wife Desdemona, Iago’s wife Emilia, Othello and Iago’s companion Roderigo, were all directly linked to Iago’s actions. Othello illustrates that jealousy often leads to revenge, jealousy can prevent a successful relationship, and jealousy leading to one’s downfall.
In Othello, it is jealousy that ultimately leads to the downfall of three characters, Roderigo, Othello and Iago. " O, beware, my lord, of jealousy; It is the green eyed monster" (III.iii.163). Although, Othello is not the only play where William Shakespeare has made jealousy a central motivator. He did it in Macbeth also. Jealousy has many faces between these two plays and in both they lead to the downfall of characters.