The art work I picked is, King Neferhotep, Middle Kingdom, Dynasty 13, 1750 BC, Abydos. He was the King from Ancient Egypt he was known for having divine natures, so many though he was related to gods. It was evaluated by the Ancient Egyptians, that the king was the son of a god, therefore the king had divine natures. The duty of a god was to maintain the universe under control. He had about three roles as a king: being like a priest, being commander, and being supreme justice. The Ancient Egypt rituals were all passed by him, fortunately he had the help of assistants and advisors. If any female would be in the same position, as being divine, she would become king. From what I’ve learned they would use the same clothing as a male king.
In comparison,
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King Neferhotep is not in the center of the gallery, but the statue of King Tutankhamun, this statue mostly takes the attention of the whole gallery because of its immense size. King Neferhotep is far back in the gallery, he is not as big as King Tutankhamun, but King Neferhotep looked a bit more realistic to human size and also played an important role as a ruler.
King Neferhotep has more light compared to smaller objects in the gallery that I mentioned before lie brushes and vessels. I think King Neferhotep and King Tutankhamun have around the same amount of light. The mostly represents that they stand out more. Both kings look upright and with a strong character and personality.
From looking at the statue he seems very powerful, respected and obeyed by others. From what I read in the wall text he had a lot of followers that looked up to him and advised him when he needed it. As he was from a long a long time ago I can infer that he also had many servants and slaves, I’m sure that some people didn’t like him for that reason. Rulers from before didn’t see anything wrong with having. I think he needed to have both hard and soft power in order to be a good
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He looks very much like a human. He represents power and leadership. In order for him to represent masculinity, he had to look high and mighty because he had the role of having divine natures. He is in the gallery where other figures of kings and gods of ancient Egypt are placed. Even though he is not the biggest figure in the gallery he still gets sufficient light to show he is significant. As I read in the description he had many helpers that served him, I infer that him being king, had the obligation to make big decisions. I think he is getting enough recognition at his gallery because he is from the same era as the other figures and objects. The colors and clothing made King Neferhotep be recognized as royal
The statue is more than half the size of Yuny back in real life. The statue which is carved out of Limestone was found in the tomb of Yuny’s father, Amenhotep. There was at least two generations found within the single tomb. The height of the statue is 84.5 centimeters and it was consisted in the nineteenth dynasty. The statue represents Yuny seated next to his wife Renenutet.
Finally, the bottom right, you see the Pharaoh adorning Joseph with robes, signifying him placing his palace and the country of Egypt in Joseph’s hands. You also see Joseph riding in a carriage below that, which can represent him traveling through the land collecting rations for the seven years of
Also they could symbolize creatures of myths and legend. However in this particular sphinx it symbolizes the royalty and power of King Taharqo. This is not a typical sphinx because this one was build for a black man. King Taharqo was a powerful and a great leader of the Kush kingdom located in Sudan, Africa. He was so powerful that he was able to take over Egyptian ruling.
Elizabeth I, Queen of England from 1558-1603, brought much success and political stability to England during her reign. However, the ideas about gender at the time greatly influenced her rule. With the views of the religious peoples during Elizabeth’s reign leaning towards negativity about a woman ruler, Elizabeth I responded to these challenges against her ability to rule wisely with sophisticated anger and strong leadership, while not responding to the challenges to her authority as a religious leader. One of the main challenges to Elizabeth’s right to rule came from the church. Document 1, “First Blast of the Trumpet Against the Monstrous Regiment of Women” by John Knox, a Scottish religious reformer, shows the biased views of a Scot who
There are many items related to Hatshepsut are represented in Metropolitan Museum of Art: Hatshepsut in a Devotional Attitude, Large Kneeling Statue of Hatshepsut and others, but Sphinx of Hatshepsut has special mystery and meaning for me. Head of King Amenmesse Continuing my journey through the Egyptian department, I found that my attention was taken by Head of King Amenmesse. It is only part of the full statue with missing piece of left ear and headdress, but even this is enough to be attracted by ideal work of sculptor. Absolutely natural facial lines give a sense of presence.
He proved to be one of the most enlightened kings of his age. By command, he instituted freedom of religion, speech, and press and also established a new code of justice that removed the use of torture. In addition, his economic improvements smacked of laissez-faire. He lowered the tariffs, terminated fees, and motivated trade and agriculture. Level 3 Questions
Also he was blood-thirsty since he conquered many cities that had nothing to do with him. For example, he conquered India, where they did nothing to him. He was cold-hearted since he killed a lot of innocent people. It has been estimated that 100,000 enemy soldiers and civilians were killed in four major battles. He was also merciless since he gave the order to kill a man’s head because he wore his royal headband.
Women in the Song Dynasty This part will evoke women’s life and rights in the Northern Song Dynasty. The Song Dynasty is often seen as the start of the decline of women status in the Chinese society: a revival of Confucianism led women political role to be reduced, as well as their public appearance compared to Tang Dynasty. The practice of foot binding also started in the Song Dynasty. However, women also enjoyed new and reinforced property rights, and social mobility and political influence were not completely impossible to achieve. Indeed, there are several examples of some lower class women managing to get considerable power by providing pleasure to the higher spheres of the Imperial Court.
Both pieces are sculptures in the round, meaning they are not carved into a wall; they are freestanding. Both of the kings
It was placed in their tomb to ensure their eternal presence and provide a physical vessel for their souls. As such, the statue exhibits a high degree of idealization and formalism. The figures are depicted in a rigid and symmetrical pose, with the male figure, Memi, standing upright while his wife, Sabu, sits beside him. Their bodies are carefully proportioned, and their faces display a serene expression, emphasizing the eternal nature of their existence. The artistic style of the statue reflects the Egyptian belief in the
The small biography on this powerful woman in the Prentice Hall Textbook also states that “[because] Egyptians thought of their rulers as male, she wore a false beard as a sign of authority”. Moreover, she was a very fair and level-headed Queen as well as sentimental and respectful. To prove this theory, it was recorded that she constructed “a
Throughout the painting there is iconography and symbolism. To illustrate his authority, the Kangxi sits on a dragon throne, which raises him higher than his court. With Kangxi being the Emperor, his feet were not to touch the ground. The Dragon is thought to be the guardian and aide to the Emperor. In addition, the dragon is also repeated on his robe several times.
His warriors are following behind him with a confident and unwavering stance, showing their confidence in Naram-Sin and his leadership (Cunningham, Pg. 22). The Narmer Palette shows more of a sectioned off story, on one side it is showing Narmer, the Pharaoh, larger than any other person or god in the scene, depicting how much absolute power he had at this time (Cunningham, Pg. 22). The Palette shows the goddess Hathor watching over the events like it is an arena and the Falcon that symbolized the god Horus, with a rope around a head, possibly indicating the capture of Pharaoh of the other kingdom (Cunningham, Pg. 22). The back includes the battle scene and the goddess still watching over Narmer, as well as a bull knocking down a wall, most likely symbolizing Lower Egypt’s defeat as well as two creatures entangled with each other in unison
He encompassed one of the most essential traits of being a leader, which is being authentic. This is evident in him understanding his purpose of being king; which was to bring change into the dictator political infrastructure. He practiced solid values such as integrity through demonstrating to people that he is not deviating from his purpose of bringing democracy as well as demonstrating self-discipline through adjusting his actions to meet his purpose. He established enduring relationships to ensure that people know that he cares about what they want and how he is going to do it. And lastly, he demonstrated courage through standing up against the bunker whom embraces an opposite political mindset as the one he envisioned for the future.
He made the decision to fight the dragon, even though he was very old and knew he had little chance of winning. He frees his people and is able to return the treasure to the kingdom. The warrior mindset he has makes him brave, and reliable for his people. He is able to keep them from danger, and to protect them. Having a warrior mindset affected the way he ruled, but for the better, he never second guessed going into battle to save his people, and he died a