In Laurie Ann Guerrero’s “Ode To My Boots” it is clear that the poet is addressing how she relates to her boots. The poet details how her boots give her a sense of courage, power, strength, and the ability to be acknowledged. Throughout the poem, the author praises the boots that she wears because it makes her feel empowered. Almost to the point as if she is having a conversation with them. Hence, this unique quality distinguishes and enables the poets’ ability to be able to compare herself to the power of boots. The poet also characteristically shows a solemn and serious tone, showing the reader that there is no room for humor, petty or frivolous thoughts. Also, the poets’ personality is shown through her chosen theme of boots, bearing wide …show more content…
Her choice of words in the first line “Like San Antonio, bronze in the face, white sky…” are a description of her Hispanic/ Mexican American community that she grew up in. This line also helps detail the diversity and beauty that is within her hometown of San Antonio. The use of the word “nopal”, is used to showcase an important staple of the Mexican heritage. Guerrero can resemble with a nopal, because just like her, they are able to adapt and survive in all kinds of environments no matter the circumstances. This symbolizes that you can achieve anything you set your mind to, no matter who you are or where you are from. Guerrero mentions, “Like a shot of tequila, you courage me up from the toes”. This line ties into the word “liquid courage”, which is an alcoholic title that enables a person to conversate with people more freely and openly. Here, the poet uses alcohol to relate back to her boots as well, leading to her belief that the moment she puts on those boots, she feels like a whole new person. Also, like the state of Texas is stronger because of everything around it, the tequila gives her the courage to do the things that she needs to do that otherwise she normally wouldn’t do, which in this case is to pursue her love for poetry. Guerrero concludes by saying, “delicate grubs in tomato plants”. This line is intended to demonstrate that although the poet
In the poem “Green Chili” by Jimmy Santiago Baca the author shows us how he uses culture, identity and family to describe the poems importance to him. The way Baca uses culture is by stating that New Mexico is full of green and red chili. He also uses culture by naming all of the foods that are most commonly eaten in New Mexico. How Baca uses identity to describe the poems importance is by describing the tanned New Mexicans and his grandmother's appearance over the stove. He als
Did anybody notice the last sentence in “Woman Hollering Creek”? “It was gurgling out of her own throat, a long ribbon of laughter, like water.” Amazing, right?! Sandra Cisneros ties the story back to “La Llorona”! The sentence differentiates Cleo from “La Llorona” since "La Llorona" loses herself in misfortune while Cleo manages to escape. If the water represents “La Llorona”, then Cleo's gurgling laughter is the rejection of following her path.
Having worked several years in the brickyard under Rosendo’s watchful gaze, Gonzalo worked his way up the ranks by demonstrating hard work and devotion to the Simons new dream factory. With time, his work catches the attention of his patron, Walter Simons, who on the eve of the Christmas celebration, appoints Gonzalo as head of law enforcement in the town, with a “silver star to his lapel and handed over a holster he hung from his waist” ( Morales, 56). The symbol of the silver star parallels those worn by the Texas Rangers, an authoritarian group that would terrorize Mexicans and those of non-anglo descent. As Walter associated Gonzalo with the Rangers, he is exchanging part of his anglo culture or violence and dominance onto Gonzalo, allowing him to believe that he too is on the same level as the white man. This cultural transaction creates an evident power shift that shows itself after the earthquake in San Francisco.
The poet tries to make the poem a point
In the novel George Washington Gomez, the main character Gualinto is born into the conflict between Seditionists and Texas Rangers already carrying the burden to become a leader of his people. The author, Americo Paredes constructed his masterpiece around the context and theme of a corrido, a sort of folk story although it is not a traditional corrido, but rather an anti-corrido. Paredes uses the tension between two cultures as a significant theme throughout the novel. Therefore, the novel is concerned with expressing a divided Mexican-American identity and responding to the economic and social changes associated with modernism.
In Drink Cultura, Jose Antonio Burciaga gives a brief tour through Chicano history, food, mythology, and politics. It is a book about the Chicano experience of living between, within, and sometimes outside of two cultures. Each chapter is a brief discourse on its chosen topic with personal observation, family stories, and humor, these essays feed the reader with a bit of Chicanismo that are set up for the reader to breeze through quickly and then think about it for as much time as required. Burciaga incorporates a title in every story with a hint of what the writing will be about : Con Safos, Pendejismo, The Joy of Jalapeños, The Great Taco War, All The Things I Learned in School Weren't Necessarily True, Piñatas, and The Last Supper of Chicano Heroes.
The majority of illegal immigrant’s chances for success is limited. It is more likely for people who have already been successful in life to achieve their dream than those have not had the chance to. The Tortilla Curtain illustrates the hardships and the discriminations illegal immigrants face with higher class Americans. The coyotes symbolize the immigrant’s lifestyle and how they are viewed with disdain and mistrust. The Arroyo Blanco community presents those who view the immigrants as such, and how difficult it is to break down ignorance barriers to be accepted into it.
Richard Rodriguez analyzes the cultures of two places that have different points of view about how life should be lived in his book “Days of Obligation”. He analyzes the differences between the cultures of California and Mexico, naming one a tragedy and the other a comedy. The rhetorical devices Rodriguez uses include renaming the two places, and a type of reverse psychology. Rodriguez starts by giving new names to California and Mexico.
From the drug cartel and gangs, to the Mexican-American police officers like Officer Zavala and Officer Orozco, who is a policewoman that was once friends with female Curbside gang member, Lala. I loved that film was very much in touch with the Chicano culture, particularly in the scene where they were celebrating the quinceanera of Zavala’s younger sister. The film showed very descriptive features that also represent the Chicano culture, such as the scene where the man in the pickup truck picks up a pot of soup, from the mother of a Curbside gang member. Loud Mexican music is playing from the truck as the man is being apprehended. They soon discover that the pot of soup, or what looked like menudo, was used to hide large amounts of drug money.
Sor Juana Inés de la Cruz, a self-taught philosopher, poet and forward thinker, wrote many empowering poems that captured how she felt during the time she was living in. Two of which “Foolish Men” and “On her Portrait” express how she didn’t like the stereotypical roles women were put in during her life. These poems show true anguish and express a slight distain for men. In the poem “Foolish Men” Cruz starts off by explaining how men are so quick to blame women for their ailments but in actuality it is themselves causing them.
“The common denominator all Latinos have is that we want some respect. That 's what we 're all fighting for” - Cristina Saralegui. Judith Ortiz Cofer published the article, “The Myth of the Latin Woman,” where she expresses her anger towards stereotypes, inequality, and degradation of Latin Americans. Cofer explains the origins of these perceived views and proceeds to empower Latin American women to champion over them. Cofer establishes her credibility as a Latin American woman with personal anecdotes that emphasize her frustration of the unfair depiction of Latinos in society.
First, the diction and structure of “Work Boots”. Daniels is using free verse writing in the poem. He uses very simple language, but uses literary devices (simile, metaphor, synecdoche,
The different key features also plays an important role for example the tone that is being formed by the lyrical voice that can be seen as a nephew or niece. This specific poem is also seen as an exposition of what Judith Butler will call a ‘gender trouble’ and it consist of an ABBA rhyming pattern that makes the reading of the poem better to understand. The poem emphasizes feminist, gender and queer theories that explains the life of the past and modern women and how they are made to see the world they are supposed to live in. The main theories that will be discussed in this poem will be described while analyzing the poem and this will make the poem and the theories clear to the reader. Different principals of the Feminist Theory.
In the poem “To live in the Borderlands means you”, the borderlands become a place of change, such as changing from just one culture or race into a diverse culture or race and not-belonging. (Singh, A., & Schmidt, P. 2000). The poem describes how the author’s own background ethnicity people, mixicanas, identifies people like her, chicanas, as “split or mixture that means to betray your word and they deny “Anlo inside you.” (Anzaldua, F. 1987). The poem describes that the borderland is a place of contradiction, such as of home not being a home.