People are like cameras and their personal experiences can be their lenses that change and modify the actual picture. This evident in Marjane Satrapi’s book Persepolis because the whole book is about a girl growing up, and forming her own opinions. Furthermore, Marjane has to mature in the turmoil of an Iranian-Iraqi war, she also has to survive the brutal Islamic regime governing her. This creates a very particular point of view considering that the parents raising Marjane are against the new form of government, and actively protest, risking their lives. As a result, this rubs off on her creating a very rebellious and dauntless little girl, who isn’t afraid of the new oppressors. Marjane´s unique perspective heavily influences her demonstration …show more content…
In the beginning of the book she isn’t involved much at all, but as time goes on she gets sucked in gradually, like a tornado. Marjane’s first experience with the revolution was when she was 10 years old and “-It became obligatory to wear the veil at school (Satrapi 3).” The older she got the more defiant she got towards the new fundamentalist regime, she also was more willing to get involved for example after her Uncle Anoosh was executed because he used to be a spy (Satrapi 69-70), from that point on her rebellious side took hold. Marjane gets more involved in the revolution when she goes out with her parents to protest for the first time, she sees some extremely grotesque things such as people being beaten and even a woman getting stabbed. This is evident when she says, “ So I went with them to pass out flyers.. When suddenly things got nasty. For the first time in my life, I saw violence with my own eyes.” Even though she sees a brutal retaliation, this doesn’t stop her from being disobedient to the government, towards the end of the story she wears a jean jacket and Nike sneakers, both of which are Western products. Marjane describes her apparel when she says, “ I put my 1983 Nikes on...And my denim jacket with the Michael Jackson button, and of course my headscarf.” This is something incredibly defiant, due to the fact that the new Iranian government only permitted the more traditional dress and loathed Western clothes and
In panel 7, she used dark shading on her mom and moved her between the back and middle ground and moved Marjane to the front with a facial expression that demonstrated how she felt at that specific time and space of the event unfolding. But yet, instead kept her mom's words like Marjane was still listening to the discussion going on. It was as if the author wanted us to read what she was saying while at the same time feel what was going on in Marjane’s mind and focus the attention on that. Then in Panel 9, the author again moved her mom to the background and shadowed her body figure and instead of using words in a text bubble there is a question mark, showing that her mom is confused. The facial expression of Marjane looks angry and fed up with the “dictator” of the house, referring to her mother.
She helps solace Marjane when her dad doesn 't come back from a mob. She appreciates telling Marji stories of her past, and Marjane 's Grandfather. Uncle Anoosh: He is a legend in Marjane 's eyes. He went to the U.S.S.R. to get hitched; later he got a separation.
In Persepolis, a Bildungsroman genre graphic novel by Marjane Satrapi, the main character experienced many events that made her become fully grown up in Iran, yet the turning point was her life in Vienna. A Bildungsroman is a novel that describes the process in which the character grows from child to adult, which he or she has a reason to start a journey while the coming of age is difficult, suffering, uncomfortable, and long. There are many particular events where Marjane has many difficulties in the process of maturity. When Marjane is still a child in Iran, terrible historical events happened around her and formed her to become more mature. Although they made her become a mature child, the real part of her life that changed her were her days in Vienna, where she really understood the cruelty of
In chapter Kim Wilde, her parents come back from Turkey and smuggle a few western objects through the Iranian border for Mariji. Many of these belongings are strictly forbidden in Iran, but her parents allow herself to still indulge in them and wear them proudly on the streets, showing how lenient they can be towards the upbringing of Mariji. On one of Mariji’s strolls to buy tapes, the Women of the Revolution see Mariji acting as if she was American and stop her. These women are restricting Mariji’s style and many of other girls, in contrast, of her family living a modern western life and accepting western ideals. During the final moment with her family when she is leaving, her parents trust she has been raised correctly to be an incredible and respectful women even without them in another
When Marjane heard that her friend Ramin's father was in the Savak and that he killed million people , Marjane get mad and she decided to teach Ramin a lesson in the name of the million dead people for his father's fault her mom told her Marjane
Not only is this idea shown in the photograph, but also throughout Marjane’s story. At the beginning of Persepolis, Marjane Satrapi is the age of ten years old. Marjane was so unknowing about the world around her and the situations she was experiencing that she was almost oblivious. She explains this when she is forced to wear the veil with all of the other girls at her school. Satrapi states, “We didn’t really like to wear the veil, especially since we didn’t understand why we had to” (3).
Marjane Satrapi began reading everything and anything that had to do with politics, and government. She would even talk to God about the Revolution. Since most adults believed that they knew what was coming, they didn’t listen to what she had to say about the war, although she was usually right. Marjane had so many different personal experiences with the Islamic Revolution, which is seen throughout the entire book and those experiences helped shape her into the strong, independent, and opinionated girl she became.
When Marjane is a child, she was very obedient. She followed the rules of Islam and the rules that her parents had established. As Marjane grows older, she begins to lose her innocence. She grows into this girl who is rotten. She does not obey Islam, she begins to not obey her parents, and she causes trouble in her school.
The role of politics in Marjane Satrapi 's life is a critical one, as seen in her graphic novel Persepolis, which narrates her experiences as a young girl raised by revolutionaries during turbulent times in Iran. Particularly, Satrapi uses juxtaposition between her parents and children to highlight the hypocrisy and myopia of the upper class revolutionaries when it comes to the interpretation and implementation of their political ideology. Satrapi builds the foundation of her criticism through the superficial comprehension her child self exhibits regarding her parents '—and, by extension, upper class communists '—ideals, then warns about the dangers that such lack of understanding presents through child soldiers who are fed ideologies and then sent to war. However, while pointing out the shortcomings of the movement, Satrapi 's use of children as the vessels for comparison entails that there is room for the communist community to develop, like Marji does as she matures from child to teen, and encourage equality through the removal of social barriers created through binaristic thinking to truly promote communist ideals. The first point of juxtaposition is Marji herself, particularly her initial myopic thinking as a child.
The characterization among these two characters is that Marjane looks shocked by having her eyes being wide opened and her mom looking as if she is really mad at her by observing her eyebrows. Marjane looks very young in a nightdress who is innocent contrast to her mother who is modern that refuses to follow the new laws dictating how her hair must be
However, Marjane 's expression is sad while she says this and shows she is not alright. This reveals that Marjane is in denial and how contradictory her words to her emotions are. Furthermore, the next page displays
Germaine Greer once said, “Revolution is the festival of the oppressed.”, Through the graphic novel Persepolis, Marjane Satrapi gives a voice to those who were oppressed during the Iranian revolution Ensuring that they are not forgotten. With the use of homogenous features and other stylistic devices, Satrapi shows how she and her classmates, her parents, and other nationalists were marginalised, excluded, and silenced during this time period. From early on in the book, the theme of oppression is ever-present. On page 3, Satrapi introduces herself, expressionless and wearing the veil, stating, “This is me when I was 10 years old”.
At the beginning of the narrative, we learn about the strong connection that she has with God. Marjane reveals this to us right away, saying “I was born with religion. At the age of six I was already sure I was the last prophet” (6, 2-3). She is very forward about how important her connection to God is, telling about her frequent conversations with him. But, it goes on to say “This was a few years before the revolution”, revealing that these beliefs occurred before the revolution, and not necessarily afterward (6, 3).
She knew that it wasn’t all perfect and good but she also knew that it was not a cesspool of despair and darkness that some people make it out to be. So, she wrote the novel in a very smart way, she uses literary devices to show and tell a fantastic story but at the same time uses it as a way to talk about the problems and good things about Iran in the 1970s. This allows Persepolis to live longer and be discussed much longer if she simply didn’t use metaphors. It is also a way to show and teach people about a very heated subject and show them not everything is totally black and white in this world and that sometimes the monsters are actually men but at the very same time people can be great, people can work together to further a cause, people can care and at the end of the day people in Iran are exactly that, people and Marjane Satrapi simply wanted to show that in her novel and she succeeded
Have you ever read a graphic novel with a variety of worldwide problems? From: racial issues, economic issues, women’s rights, political repression, social issues etcetera. Persepolis by Marjane Satrapi is the authors memoir of growing up in Iran during the Islamic Revolution. Marjane Satrapi tells her story through black and white comic strips of her life in Tehran from her childhood ages six to fourteen. Persepolis portrays a memorable portrait of daily life in Iran, as well the perplexing contradictions between home life and public life.