Future… it always seems so far away from me. As a younger generation of this complex world, I used to not think that I am part of this community to make the world a better place to live in.
However, as I grow to become more matured, I will ask myself sometimes, what can we as the younger generation do to contribute to this community. Can we really go beyond the standards set for us by the pioneers? The Earth is constantly moving and so are we, we are constantly chasing for our dreams, but do these dreams morph into reality? This really depends on us. We are the future, and we will be operating this world.
I am personally passionate about music, classical music. Beauty of music as of now is considered as pop genres and I persistently ask myself,
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It may not seem significant to the audience, but to me, a mere 10 years old, it was a major breakthrough. I finally got the chance to spread the joy and love that I gained from this experience to the audience yet it was so nerve wrecking. As I took up my violin and touched the shrill E-string, I was immersed in the beauty of the music that awed me for years. The nervous thoughts just floated away and all that was in my mind was how to shape the music. The clear, sweet singing melody floated out from my three quarter-sized violin as my chubby fingers flew on the fingerboard. Ending with a stunning beautiful G, thunderous applause descended. A sense of accomplishment filled me. I finally lived on the legacy of spreading the love and appreciation for classical music.
Yes, Mr Menuhin passed on the legacy to my father, and now, it is up to my father to pass it on to me. That is the beauty of classical music, it would not extinct between generations, it would continue being passed on. I am the future and I hold responsibility to contribute to the community in the area of classical music making.
The Earth is constantly moving, and so are we, the younger generation as we are chasing our dreams and finding the passion for what we love. And these dreams will morph into reality. Yes, our generation will be operating this world. This younger generation, my generation is the future. I am the
With humble beginnings, which was common among the students in my middle school, I never expected myself to devote blood and sweat into an instrument such
According to Professor Jeffrey Bosworth, in his editorial “Hunting for Hope in Modern America,” he discusses the “screwed” millennial generation and the potential they have to be successful, despite current existing United States problems. Bosworth explains this from three different perspectives: the current issues in America, the positive attributes of the millennial generation, and what the millennial generation should do to succeed. In Bosworth’s opening proposition he elucidates the “[millennial] generation is screwed”. He expounds the millennial generation is predicted to “do worse than the previous generation”.
For this interview, I spoke to Vera Holczer, a 40-year-old immigrant from Hungary. For 19 years, Vera lived in Hungary’s capital with her mother. She has always had a passion for classical music especially on the piano. As a classically trained pianist Vera knew her time in Hungary was coming to an end if she wanted to pursue her dream of owning her own music school due to Hungary not having large openings for people perusing a professional level of music. At the age of 19 with “two suitcases and 8 dollars” she went off to live with her dad in Los Angeles, California.
As John has seen the benefits of music in his life, he wants to continue the legacy of the cellist, John Wilson with his future
It is possible that the new generations are unaware of very good classical songs, but the people who previously listened to the song, keep remembering it. For example, song, artist, and bands between the decades of the 60s and 90s have managed to impact more than one generation with their talents and lyrics. The Beatles, The Rolling Stones, Journey, and Queens are examples of bands that are still very recognized today and many of them were successful in the past decades and that they still
Millennials, or America’s youth born between 1982 and 2000, now number 83.1 million and represent more than 25 percent of the nation’s population, according to the new U.S. Census Bureau. Millennials are tech savvy, diverse and have the most liberal attitudes in regards to social and cultural issues than any other generation. Yet the older generation considers them to be a lazy, narcissistic and an egotistical group of people. This is false, the millennial generation is actually the smartest, most open-minded and self-involved individuals society has ever seen. Joel Stein (Time Magazine), believes “[millennials] are pragmatic idealists, tinkerers more than dreamers, life hackers”, they are filled with confidence and high expectations.
It is a musician to whom the new generations are almost unknown and whose work deserves to be rescued
With rich historical context and sharp rhetoric, Richard Taruskin argues against a misconception about the impending demise of Classical Music. In doing so, he exemplifies three authors who argue for the ongoing crisis in Classical Music and why in their minds, Classical Music should be preserved at all cost. Taruskin then methodically dismantle their attempts to save Classical Music and instead provide his own view and its place in society. His main thesis is that classical music is undergoing a change that cannot and should not be intervened. Instead, we should allow it, observe it, and be a part of it.
He was beloved of God- truly befitting the name ‘Amadeus’” (Brown 50). Mozart did not make the wisest decisions, and he certainly acted immature at times in his adult life. All of this faded away, though, when Mozart composed. His music was divine, exceptionally beautiful, as if it was inspired by God.
Before this I had never attended a classical concert, so this was a new experience for me. This concert was worthwhile because not only was it affordable, it was also great for the price. Each song made me feel different, I could sense the emotion coming from these songs and the way the musicians played together added a feeling of satisfactory altogether. The venue had a large impact on the performance. The Nightingale Concert Hall provided great acoustics for the performances and fit well with the overall style of the concert.
In this article, “The Gift of Years: Legacy,” the author Joan Chittester reflects on the importance of leaving a legacy behind. By legacy, she does not mean this in tangible items, monetary form, or an insurance policy. She discusses the immaterial legacy that is shaped by our actions on how we live our lives each day. She brings to light the question of whether we are living our lives in a way that we would want people to remember us. Because whether we want them to or not, people will remember; they will recall if we selflessly acted in kindness or if we acted in cruel or selfish ways.
Thus, there is a creation of this elite musical culture engrained into society and their values. More than two hundred years after the premiere of The Magic Flute, audiences and critics alike are concluding
The Appalachian Symphony Orchestra performed, Celebration and Remembrance. The orchestra opened with Fanfare for the Common Man. Which was conducted by Mr. Smith. It was a great way to start off a World War II and Civil War Memorial concert. It was the opening piece and the orchestra was full of energy, and came out loud and with the bang.
At a young age, I constantly wanted to express myself through music. I always found a way to incorporate music into my daily life, whether it be by blasting my favorite music, creating my own funky songs, or even having the opportunity to participate in my elementary school choir. My love for music actually took flight after I had decided to join my elementary school choir, however, in my opinion, it is not the most transformative moment in my life. After elementary
Looking to the Future “Things do not change; we change.” Henry David Thoreau, American essayist, poet and philosopher *** Curiosity occasionally prompts me to ask myself ‘What if?’ What if I had turned left instead of right? What if I stayed put instead of going forward? What if I had continued living in the United States, working as a printing broker, met an American woman and lived out my remaining years there?