In Margaret Atwood’s novel, ‘The Handmaid’s Tale’, Moira is depicted as the symbol for resistance to authority and represents hope to the Handmaids. Atwood presents her as a polar opposite to Offred. She is independent, strong-willed, and outspoken. Conversely, the pair can be argued to be doubles in the fact that they both ‘resist’ to the oppressive Republic in Gilead. Throughout the novel, Moira’s use of informal language and slang is apparent. This is significant because Moira’s crude vocabulary is dramatically different from how the Handmaids are taught to speak, marking her as a dissenter under the restrictive rule of Gilead. For instance, Moira scoffs that the Red Centre is “a loony bin” in Chapter 13. The use of the colloquial noun ‘loony’ to describe the Red Centre establishes a conversational, almost childish tone of voice. This contrasts from the rather mechanic and automated voice Offred has when she becomes a Handmaid, replying with contrived phrases such as “praise be” to other Handmaids. Thus, Atwood’s choice of making Moira’s tone of voice tenacious and even sarcastic, leads to the notion of Moira being an important symbol for rebellion amongst Handmaids. Moira is characterised by Offred in Chapter 22 as a “loose woman.” Offered contemplates what Moira would do after her attempted escape of the Red Centre: “At any moment there might be a shattering explosion, the glass of the windows would fall inwards, the doors would swing open…Moira had the power
1) Throughout our course, there have been some incredible and powerful women characters and writers. From Granny in “Jilting of Granny Weatherall” to Delia in “Sweat”, all of their stories had powerful connotations and influences in the readers. First of there was Phoenix from “A Worn Path,” she is the protagonist of this tale and is described in a lively way by the way she moves. Welty said, “Under the red rag her hair came down on her neck in the frailest of ringlets, still black, and with odor like copper.” The rag in her hair, her skin, and even the wrinkles on her face are deeply expanded upon in the story and accentuate her character.
Just like Hamlet, Offred was also unable to trust anyone other than her best friend, Moira because of the situation she was placed in. Since Offred was a handmaid nearly all of her human rights were taken away, because of this she was unable to build relationships of trust with other people. She had lost all connections with people she loved, with the exception of Moira. Gilead, a world where all the citizens are obligated to obey those in power, none of the people had any meaningful relationships such as friendship or companionship. As shown by Offred 's statement: "We aren 't supposed to form friendships, loyalties, among one another" (Atwood 353), people were expected to not create new relationships.
Another technique that was used is when she parodies the way traditional families’ wives take on the names of their husband. In the story, handmaids are named “Of” plus the name of their commander, criticizing how changing the surnames makes it seem like the men are the owners of the women. The way these issues were satirized in the story are effective because of the role of the main character. It would be difficult to not sympathize with a victim of a totalitarian society that oppresses women to a much greater extent than to that of men. It is important to remember that the purpose of creating dystopian literature is not to prophesize but to warn us of what could
Thus, this can also be seen as another example of how women are not equal since they belong to men. A quote to prove the Handmaid’s uniforms can be seen through a passage in Atwood’s novel titled The Handmaid’s Tale which
Furthermore, contemporary feminism, in the time of Margaret Atwood and The Penelopiad, is based on equality and freedom of choice (Howells 2003). Finally, with both Classical Greek female and contemporary female views in hand, Margaret Atwood fuses them to create an identity for Penelope that goes beyond ‘woman’, ‘mother’, and ‘wife’ (Howells 2003). Homer does show improvement in his representation of women in The Odyssey through some of his descriptions of Penelope, however, Margaret Atwood took his small sacrifices to female worth and turned them into a story that gives Penelope power, choice, and a voice she was never given before (Vandamme
It isn’t love” (58). Offred reveals that she does not feel any love for her Commander, although she is supposed to hate the man she is forced to have sexual interccourse with, she knows its not not hate or love. The wives of the Commanders are present during the time of the sexual intercrouse, the humiliation the Handmaids are put through further reveal how women are oppressed in Gilead; however, the Handmaids are not the only women who suffer through this awkward moment, the wives must deal with other women having sex with their husbands. The narrator awaits for a letter that seems to be crucial to her as that message is what essentially keeps her
“You wanted a women 's culture. Well, now there is one. It isn’t what you meant, but it exists. Be thankful for small mercies.” (Atwood 124) Offred is looking back on her past life to a story her mother once told her.
One day mysteriously her friend had that she walked around with in her free time had been replaced. But when Offred spoke to her she said her name was Ofglen but it was not her and Ofglen decided not to say anything because she know she should not trust anyone. This is another example of women not being respected. Offred cannot even have friends in the grand scheme of things.
The novel, The Handmaid's Tale, centers on a woman named Offred. She is abused of her body when she gets constantly raped in order to provide a child from her Commander and his wife. It burdens her life daily. Many literary elements are revealed through the novel such as symbolism ….. That come together to affect the story, and the reader.
When Handmaid’s Tales and real life are have a toll on women since they are being denied of their rightful rights. It still happens still around the world but in the book, women are not allowed to read, and like in some cultures in today’s world too. Women in the book have to be escorted to a place so for some reason to keep safe. Women in Handmaid’s Tale also have not allowed to hold a position with power in the book. Everyday women around the globe are being denied of their rights even when they know their rights.
Meanwhile, Penelope’s society has imprisoned her in another planet until she can see herself through the eyes of her fathers. Both governments use manipulative propaganda and the appearance of deliverance, to subjugate Moira and Penelope, resulting in different reactions from the women. Moira, in The Handmaid’s Tale, experienced manipulative propaganda during her time at the Red Center through the lessons taught by the Aunts who enforce the doctrine of Gilead on the Handmaids. The reader learns that Moira resides in an environment in which “The chances [of having a healthy baby] are one in four [and] the air got too full, once of chemicals” (Atwood, 112). The pollution in the air affects the Gilead birth rate and causes birth defects, resulting in the Gilead having to create and manipulate Handmaids through propaganda.
With the rules of Gilead, Offred and many other handmaids struggle between oppression from societal rules and autonomy. In the beginning of the novel, Offred is assigned to a Commander’s house and although she is forced to be submissive, she thinks that a knife she sees is “sharp and bright, and tempting ” revealing her hidden thirst to revolt against her position (47).
Works of literature often portray ideas relating to Marxist theory, this is why in a dystopian society, class distinctions dominate the social climate, using Marxist ideologies as a tool to define the lives of the narrator and those around her. In Margaret Atwood’s novel, The Handmaid’s Tale, ideologies from Marxist theory dominate the society in which Offred, the narrator, lives in, evidenced by the strict class systems and limited interaction between them. In writing the novel, Atwood makes a point to create a world that could exist using technology and ideas already accessible in today’s society, meaning the events that take place in The Handmaid’s Tale could happen in present day. Offred lives in a reality where class distinctions dominate society, and women, especially fertile women. These women are displaced downwards, although there are those women who attempt to resist the grip of society.
In the “Historical Notes,” it is revealed to the reader that The Handmaid’s Tale is a text that exists in the fictitious world it details when Professor Pieixoto states, “I wish, as the title of my little chat implies, to consider some of the problems associated with the soi-disant manuscript… which goes by the title of The Handmaid’s Tale,” (Atwood 300). The significance of this truth goes beyond merely putting the story into perspective, but it denotes a victory for Offred. Throughout the text, she discusses her reluctance to recount the past: “I am trying not to tell stories, or at any rate not this one,” (50). Her newfound lack of freedom to dispense her time without idling makes the past when that lack of freedom was an abundance of it seem all the more painful; she cannot abide remembering the life she now lusts for. Yet, she manages to do more than that; Offred is able to not only indulge in these thoughts that seem forbidden to her, but she is able to record them on tapes for other generations.
The main theme in this story is women in subjection and how women’s bodies are used as political instruments. The theme of the book is something the author Margaret Atwood is familiar with. In many of her literary works she focuses on women and their situation. She has been writing about feminisms even before it was discussed about open. Like mentioned earlier The Handmaid's Tale was written in 1985, a time when feminism started to be spoken about in the society.