In 'Out of the Dust' Billie Jo and her father have a strained relationship for quite some time. In the beginning of the book, Billie Jo makes it clear that her father and her ma have disagreements about what to do with the farm, yet still love one another. The struggles they are going through make it difficult for them to function as a fully happy family, but it is clear that they all want what's best for the family. Billie also may feel that daddy wanting a boy so bad may have changed their dynamic. She may have felt forced to act as a boy or as though she is unwanted. But there is no hard evidence that she is certain this affected their relationship greatly. Towards the middle following after ma's death, Billie expresses her frustrations
When Sonny first tries to build rocket she supported him to follow his dream and build the rocket. Most women’s were not involved in their children life’s in the 1950’s, they usually don’t have a say. Back then, one’s family life depends on the father, he decides everything the mothers are just there to feed and raise their children, but Elsie was involved in Sonny’s life and tries to make his life better than theirs. Elsie told Sonny in order for him to get out of Coalwood he needs to show his father that he is smart enough to build a rocket and that his mother has always been right that Sonny was different (Chapter 3, P52-53). So now Elsie is pushing sonny to do what he loves and succeed, her supports and keeps him going even though his father doesn’t believe in him.
Leah and the other girls are afraid to go against their father in any opinion also make him angry in any way. Even though Leah trys to brown nose to her father she is also distant to the idea of making him mad. For example on book one page 64 Leah talks about how she is “a tomboy” but that she also “never fails to be respectful of my fathers garden.” Being respectful is one think but when it comes to Leahs father, Nathan Price, she is constantly being “respectful” towards his every wish.
This growing relationship can be contrasted with when Betty first met Bill and didn’t want much to do with
Rose Mary and Rex barely restrict the affairs of their children, but it is uncertain if their motive is to teach their kids independence, or if they truly don’t care as long as they come back safe. When Jeanette flew out the doors of the Green Caboose, left for hours in the desert, she was convinced she’d be left to fend for herself,
James says, “For years, Mommy never talked about my father…she saw her marriage to him as the beginning of her life ,and thus his death as part of its end…” (McBride 253). She also accepts the death of his brother, and learns to make peace with with what happened between her and her sister. She is more content than she was at the beginning of the story, and has come to terms with her
While his dad’s addiction and parenting method introduced him to the concept of drugs at an early age, the more ‘positive’ influences in his life falsely help Jesse and further encourage his habits. The novel states the similarities between Sonny Thistle and Jesse being near identical, which doesn’t go unnoticed by his grandfather. His method of parenting revolves around disciplining him more as a means to prevent his son’s destructive and erratic nature in Jesse. His overprotective mindset ultimately drives Jesse further into the life he feared he would lead. Especially prevalent following Jesse’s breakup with Karen, where he kicks Jesse out screaming, “You’re just a fucking asshole like Sonny, to shit all over love like that… Pack your things.
The cause in the text states, “Ma died that day giving birth to my brother,” (69). Billie Jo feels blamed for her mother’s death. This shows Billie’s feelings in which she believes it was her fault. The effect in the text states, “It’s hard to believe I once brought money in too, even if it was just a dime now and then, for playing
She tells Robert to “go to hell” (25) in an effort to detach herself from Robert before he can hurt her like Monty Miles did. Despite the fact that Mr. and Mrs. Ross live together, the lack of communication between them shows how she is unable to maintain relationships. These relationships could have been remedial for her in dealing with these traumatic experiences, thus resulting in her inability to express her feelings
But she never showed me how to make it"(Hesse 25-16). These lines show that Ma has passed, as Billie Jo can not learn how to make her cranberry sauce, as you can never learn anything from the dead. Also, the word loved, not loves shows the impact of Ma’s death as he cannot love it anymore because Ma is gone.
When Roxy changes out the babies, she directly changes both of their lives, since that decide what family they will be raised by. Right from the beginning, their lives are changed because of the swap, as Twain notes, “Tom got all the petting, Chambers got none. Tom got all the delicacies, Chambers got mush and milk, and clabber without sugar. In
But in addition to this, Walt’s separation from his first wife left him supporting not one, but two completely different families. However, even when they started to gain a larger abundance of money, life was still stressful. Walt and Billie worked even harder to keep their business afloat. McCandless’ parents soon became stressed, emotional, and tightly wound. These emotions would occasionally lead to verbal disputes,
They both loved her and it seems like she was taken so quickly. They can’t find her in either of them. Because they can’t find Ma in each other, Ma feels even farther away than ever, and that pain is even worse than only missing her. Billie Jo is thinking of how she is like her father because she feels that her mother and her mother’s ways are slipping out of her grasp and she can’t find a way to hold
Also it says,” When mom died, I didn’t want to go on, either. I don’t know. I don’t feel the same now, not exactly. Now that i see that one days after another and you’ll get through them one measure at a time.” Most people want to give up when life gets tough, but Billie Jo still remains hopeful and hangs on through the daily struggles of life.
In the poem “forgiving my father”, Lucille Clifton writes of a young daughter reminiscing about her father’s recent death. The daughter talks about it being Friday, it being payday. She discusses her father and how he owed her and her dead mother money when really they just wanted him to be present. The daughter feels she has had no time with her father and she resents him for it. He was not present in her life and now he has passed away, leaving her with a yearning for something that she will never obtain.
With her saying “Patrick, How are you doing?” (Mary 3) right as soon as she walked in from the store, even though she knows he is on the ground dead. If she was really upset, then in the first place she would have told someone. Instead she was scared and tried acting like she wasn’t a coward.