Taking into consideration Foster's views on violence in literature and applying it to the violence we see in Jane Eyre, one thing makes itself known: it always meant something. The violence that takes place in Jane Eyre is carefully added to give the reader a deeper understanding of not only what is happening inside Jane's mind, but of dark times set to roll in. The abuse directed at Jane during her time at Gateshead brings dramatic attention to the fact that she is alone, isolated, and orphaned. This supports Foster's idea that violence can be used as a tool to set a theme, and in our case, the theme we open up to is Jane's orphan misery. Despite the fact that Jane lives with relatives, the Reeds choose to treat her as if she is but a pimple on the otherwise perfect complexion of their family, not just by ignoring her and leaving her in the nursery at all times, but by physically and psychologically abusing her. Cousins are often thought to be one of the closest familial bonds, nearly hitting par with siblinghood, yet Jane's cousins scorn her, mock her, and even beat her with no consequence from their mother. In fact, Jane's aunt simply piles onto the mass of mental …show more content…
From Rochester's bed being set on fire whilst he was sleeping, a houseguest being ferociously bitten in the middle of the night with marks left by human teeth, to Jane's bridal veil being torn in front of her on the eve of her wedding, these vile acts bear a tale much darker than what is initally shown to the reader and the residents of Thornton. We eventually discover that Bertha Mason, Rochester's mentally incapacitated wife, has been committing these acts of violence in response to his affections towards Jane. After reading Foster's chapter on violence, one would know to search for the deeper meaning in her attacks; what is uncovered by doing so is that Bertha's aggression is more than just a cry for
Mrs. Reed likewise separates Jane from the Reeds’ social circle by confining her to the nursery while her cousins spend their days in the drawing room (22) and calling Mr. Lloyd, the apothecary for “ailing servants,” instead of the family physician for Jane’s illness (15), thus placing her among the servants. However, the servants too reject Jane from their group—Miss Abbot told Jane that she is “less than a servant” because she does “nothing for [her] keep” (9). Jane thus
In fact, every event in the novel that includes Bertha Mason appears to be over-exaggerated. In chapter 20, when Bertha attacked Richard Mason, readers were both surprised and a tad bit scared. Mr. Rochester’s explanation for the woman, however, did not give insight as to why she would attack anyone. The idea that she was insane was believable, but the idea that she was as monstrous as the novel seemed to describe her was not realistic. When Jane saw her in the bedroom the night before the wedding, she stated, “It was a discolored face – it was a savage face.
He goes off and sleeps with other women. Bertha who seems fully aware of the situation between Rochester reacts with anger, making her seem even more insane. Rochester took her mother’s affliction to have rubbed off on Bertha. According to him Bertha had become sexually
Jane Eyre Discussion Questions Mrs. Amato Honors English 11 Gabby Sargenti CHAPTERS 1-4 1. Review the details Brontë provides about the weather in the opening chapter of the novel. How does this establish the mood of the story when it begins? “Cold winter” “Leafless” “Cloud” “Chilly” “Protruding rain”
Jane requests to return to the Reed house, after learning about her cousin’s suicide and her aunt, Mrs. Reed’s, illness; however Rochester questions, “And what good can you do her… you say she cast you off,” Jane replies, “Yes, sir, but that is long ago; and when her circumstances were very different: I could not be easy to neglect her wishes now” (Brontë 227). Jane looks beyond that Mrs. Reed “cast[ed] her off,” implying that she has grown to let go of grudges and developed a mature mentality. The irony of Jane’s inability to “neglect her wishes,” infers how the injustice treatment of Mrs. Reed unaffectedly brings Jane to look past the situation by visiting the Reeds in a time of sorrow. In addition, Rochester attempts to convince his wedded Jane to stay with him, after learning about his mad wife; Rochester claims that his father had “sent [him] out to Jamaica, to espouse a bride already courted for” him but only so his brother and father to get “thirty thousand pounds,” Rochester further admits to Jane that “you know now that I had but a hideous demon. I was wrong to attempt to deceive you…
It is Helen who advises Jane to study the New Testament and follow Christ's example, in particular his injunction to "Love your enemies"--a counsel that clearly influences the forgiveness Jane grants the dying Mrs. Reed” (Lamonaca
In the novel we follow the protagonist, a young Victorian woman who struggles to overcome the oppressive patriarchal society in which she is entrapped. It is a story of enclosure and escape, from the imprisonment of her childhood to the possible entrapment of her daunting marriage. Throughout the novel Jane must fight against her inevitable future that society has already chosen for her. We see her attempt to overcome the confinements of her given gender, background and status. She must prove her worth against the men she encounters throughout her life, showing her equality in intelligence and strength.
Thornfield was a completely different world for Jane. It was a major change physically and socially, as a governess she had more opportunities and duties to fulfill. Jane was not intimidated by what was expected of her, yet she was excited to see what the future at Thornfield had in store for her. The power of love was unavoidable for Jane, “The claims of her former love prove stronger than her sense of duty to that honorable but emotionally shallow Rivers” (Moss 3).
To deliberate these points further, the setting of Gateshead, Lowood and Thornfield will be closely analysed. Additionally, it will discuss how Bronte used the setting of Jane Eyre, to demonstrate that women can go beyond the oppressive limitations of their gender, and social class and find fulfilment. It will also consider how the setting reflects the political and social conditions of the era. The novel opens with a vivid description of the setting at Gateshead, which epitomises the first stage of the protagonist’s Jane Eyre’s life journey and her childhood development. The passage declares that ‘the cold winter wind had brought with it clouds so sombre and a rain so penetrating’ (Bronte, Jane Eyre, [1847] 2000, 1.1, all subsequent page
In Charlotte Bronte’s novel “Jane Eyre” Edward Fairfax Rochester plays a contributing role in Janes development and growth as a character and human being in the Victorian time period. Not only does he play a large role in her independency, but in her emotional and spiritual growth as well. She grows around him whether she likes it or not. Due to Edwards manipulative and seductive nature, jane has to grow and develop in a way that has her frequently questioning her own ideals, whether that be spiritually or morally, and strengthening her independence by constantly refusing her feelings for him and adapting to punishing situations. Edward also opens Janes eyes to a world that is bigger than she realized due to his company at the house, wealth, and opportunities at the favorable Thornfeild manor at which she was employed by him.
First, Jane Eyre’s attributes displays women in our society who are still in search for meaning and love in their lives. Just like Jane’s spirit of passion despite abuse, these women continue to search for respect from other
We can claim that Rhys’s main aim was to remove Bertha from the character of the non-identified wife locked away in Thornfield, give her the proper soul and identity, inform about her childhood and youth, thus the reader will understand her state of mind in Jane Eyre and will not consider her only the insane Rochester’s wife, but as Antoinette Cosway. Obviously, Jean Rhys removed the cover of the mystery from the eerie, unhuman laugh and screams of the unknown character in Jane Eyre and showed their new, more rational and surprising origin. Moreover, Rhys enabled the reader to understand the reasons of Bertha’s madness and her hopeless condition and hoped her character will no more arouse the aversion, but sympathy and mercy. Evidently, the novel is narrated from
Jane states that she doesn 't love her aunt or even acknowledge their familial bond when she doesn 't address her aunt by the title of "aunt." Even as a child, Jane has a strong moral standard. After Jane gratefully leaves her aunt for Lowood, Jane conflicts with Mr. Brocklehurst. Mr Brocklehurst publicly accuses Jane of being a liar. Jane later approaches a teacher of Lowood, calling in evidence from a doctor from her aunt 's
Throughout the Thornfield episode, Jane experiences not only terror but also horror, the two feelings being of feminine source as much as of a masculine source. Bertha creates such instances of both horror and terror in the wake of her night errands. For example, the first time Bertha manages to escape she attacks Rochester setting his bed on fire. Even though Jane is not directly affected, she does feel the terror as she hears Bertha’s “demonic laugh” and finds Rochester’s life in danger (Bronte 237). The situation calls her for action.
Jane Eyre is a novel where a modern view on gender roles get in the discourse of the traditional Victorian social hierarchy and patriarchal