The composers of texts use the distinctively visual to convey their messages and ideas about society and the characters that comprise it. The distinctively visual aspects of Crouching Tiger, Hidden Dragon directed by Ang Lee and Unforgotten written and illustrated by Tohby Riddle convey the composers’ messages of society’s perception of the human condition. Both Crouching Tiger, Hidden Dragon and Unforgotten offer similar perspectives of these messages. In Crouching Tiger, Hidden Dragon by Ang Lee, characterisation is used very specifically to create strong characters which represent different factions of society. Ang Lee’s choice of character for Li Mu Bai represents not only the good in a person, but in society, using Li Mu Bai’s language …show more content…
Li Mu Bai has recognised that it is has become corrupt and stays away from it, by doing so he does the right thing by the woman he loves, Yu Shu Lien, …show more content…
On the page where the angel is dropping from the park bench to the ground on its knees extra layers of shading and fog effects add to the dark tone of the story at that point in the plot where the angel is weakened and becoming almost a statute, by dropping to its knees it is signifying that it is giving up on life and praying to a higher power for assistance because an individual has no power for change as society as a whole is chaotic. In comparison to the sparsely used bright tones, like on the last group of pages which depict the angel flying away from the city and into the sky. The use of vivid blues for the sky adds to the sense of freedom that is trying to be conveyed on the angel’s behalf. Colour throughout the book creates and adds to the depressing then reviving message of the story that it is possible for our soul to be restored even after life and society has ruined us. Riddle tries to convey that if we focus our energy on what is right by others and are a good person at heart, an outside force will look after
“Saboteur”, written by Ha Jin exposes a difficult period in post-revolutionary China and the negative consequences on people’s lives. Mr. Chiu, a scholar who does not view himself as a common citizen, was wrongfully arrested while on honeymoon with his bride. As an egotistical man who thinks he is above everyone else, Mr. Chiu is arrogant and never takes ownership for his actions. This machoism subjects Mr. Chui to maltreatment from the police that ironically transforms the once seemingly innocent Mr. Chiu to a man consumed by vengeance. Ha Jin’s proficient use of ironic tone and conflict told through the omniscient view of his main character reinforces the story’s main theme: life experiences shape our character and have the power to transform us into a person we despise.
Xiong uses battles, executions, assassinations, and scandals to appeal to readers of any genre. Once a reader gets into the book they are hooked in the epic events of the book and the deep look into the ruling class. Unfortunately, Xiong’s novel might somewhat difficult to get into for many readers with no experience in Chinese history. Xiong also attempts to utilize dialogue that often comes off as underdeveloped or simplistic.
The novel Monkey: Journey to the West is one of the greatest classics of Chinese literature. The novel follows the adventure of Tripitaka followed by the protagonist, monkey and his disciples to India in order to find ancient Buddhist scriptures. The story consists of Chinese legends, tales, and superstitions. Daoism, Confucianism, and Buddhism, which are the three main religions in China, play a huge role throughout this story. In the adaptation of Monkey: Journey to the West by David Kherdian, religions are often woven in to the journey of the traveling companion in order to show the path toward self-cultivation and collective harmony.
With the progression of creativity and sophistication, it continues to become a prominent issue and as it should, draws a lot of attention from viewers and movie critics alike. Review of practical examples David Fincher's form of The Girl with the Dragon Tattoo opens with a blasting, teacup-rattling title grouping, in which terrible structures – some mechanical, others natural – overflow with graphic creativity. Ode to the booming riff of Trent Reznor and Karen O's spread of The Immigrant Song by Led Zeppelin, it’s a forceful statement of intent, as if Fincher's fiercely stamping his authority on a property that was adjusted for the screen two years prior. There is nothing new about Fincher opening his movies with a surprising showcase of sound and symbolism.
Each and every character in Yu Hua’s To Live is a catalyst through which the author explores human nature. The novel itself follows the life of Fugui, whose narrative is framed by pre-communist, Maoist, and post-communist China. Though he chronicles a long period of time, Yu Hua effectively uses characterization to present and prove his claims on human nature. Throughout Fugui’s journey, each character he encounters reflects on an aspect of humanity, through an event or group of people. For example, Long Er symbolizes the death of feudalism, while Fengxia symbolizes the Chinese people under a fascist, nationalist government.
Dave Berry once said, “There 's nothing wrong with enjoying looking at the surface of the ocean itself, except that when you finally see what goes on underwater,you realize that you 've been missing the whole point of the ocean. Staying on the surface all the time is like going to the circus and staring at the outside of the tent..” By the outside, someone may look like they fit in, while the adversities one deals with internally are hidden on the inside. The struggles one goes through needs to really be brought up to attention and the attempt to understand what one goes through day to day must happen. In From Silence to Words Writing as a Struggle, Min-Zhan Lu explains the struggles experienced growing up in China and the influences of
Lucas Dial Alt English 111 10 January, 2018 The Other Wes Moore The Other Wes Moore is a story of two different lives, but with the same name, and how their journeys have been shaped by their decisions in the past. Through the book, there are many recurring themes. An individual's choices has consequences, Discipline and violence, the influence of family and friends are all common themes shown by author Wes moore throughout the book, shining light on each of their life journeys.
Behind each movie lies the meaningful aspects and significant features worth noticing. All movies and books can be carefully examined and interpreted. Thomas C. Foster’s How to Read Literature Like a Professor provides a new view on interpreting literature. In the novel, Foster identifies and analyzes common patterns, themes, and motifs found in literature, many of which are also present in Disney’s film, Maleficent. This movie showcases several of his ideas, including quests, flight, geography, and symbolism.
Panic, anxiety, and most importantly, fear, are all components that form the adventurous tale, The Most Dangerous Game. Rainsford, the protagonist of the story, is widely recognized as an experienced hunter who ventures off in a ship to travel to Rio in order to hunt jaguars. However, the story turns when Rainsford falls off his ship, encounters a hunter who hunts men, and becomes the prey himself. Although Connell sets up an intense plot by using irony, characterization, word choice, and other literary devices, imagery is one of the main aspects that releases an uneasy feeling within the audience. Imagery is a common literary device that authors use to engage a reader into the story, by painting the scene in the audience’s mind.
While both Steve Harmon from Monster and Andrew Jackson from Tears of a Tiger both seem like they are unable to do with without somebody else, they differ because Steve is discouraged while Andy is irresponsible. Both characters are very dependent on another supporting character whether it is emotionally or physically. However, Steve is discouraged and worried about his future. Andy, on the the other hand, seems very thoughtless and doesn’t seem to think about the consequences of his actions.
There are fundamental questions that are posed in everyone’s life. The most asked, as well as the most daunting one is perhaps what happens when we die, and what is heaven like? Billy Collins in his poem “Question About Angels”, attempts to pose and answer such questions. As the poem is a statement on the outlook of how religion in interpreted, and how angels are perceived through the use of repetition, symbolism, and irony. Billy Collins attempts to show the reader a sense of mystery and unfamiliarity that leads to chaos when he is trying to describe how angels are perceived.
The fall of Hong Kong gives this couple some spaces to live together, to have an ordinary life. As the poem from the Book of Song says, humans are not able to control all the events, "but through natural turns of events and against all expectations" (Louie 23), the couple holds each other 's hands and gets married. Chang gives the story rather a happy ending, Fan Liuyuan is able to marry the woman he loves, and Liusu gets remarried, she gains back her social status. However, many scholars question that if wealth and social status are all Liusu desires. She achieves what the society expects of her, but maybe this is not what she desires in her deepest heart.
Bruce Lee and Anna May Wong are both some of the most inspiring innovators that has impacted this nation. They have successfully represented Asian Americans in a positive light to a society that had originally viewed them as ‘exotic’ or ‘alien’. Both are successful actors/actresses that have openly expressed their views and beliefs, and have used their social platform as a way to advocate for people of Asian descent. Bruce Lee and Anna May Wong have pushed through barriers and succeeded in earning the love and support of a nation that has hated and bullied people of their race and color for years. Even though they have generally made similar impacts on the nation, and had similar influences, what drove them differently was their motivation.
Critical Analysis “Comment Wang-Fô fut sauvé” by Marguerite Yourcenar The text that I have decided to study is “Comment Wang-Fô fut sauvé” by Marguerite Yourcenar. The extract is located after the first paragraph at the beginning of the story. We are introduced to the characters Ling, Ling’s wife and Wang-Fô .
In The Girl with the Dragon Tattoo, the temporal sense is rapid. Everything is unstable and keeps changing because each of a shot last very short with the camera pan and mise-en-scene of the character in the composition. In spite of the fast narrative rhythm, the storylines of two protagonists intersect until 70 minutes of the film because the plot has a complicated historical background with sophisticated characters setting. Scholar Neil Archer indicates that the aesthetic of such abridged storyline reflects David Fincher’s “rethink the concept of “narrative pleasure”” (12). David Fincher is not obsessed with telling the details by the narrative, instead, the details is hidden by the surface attention.