Blyman 1
Sam Blyman Prof. Crowe ENG World Lit. II
Final TBK Quiz
Do you agree with Dostoevsky’s declaration in the Author’s note: that Alyosha is the hero of the novel? If not, who is the hero of the novel? Why?
The novel ‘The Brothers Karamazov’, by Fyodor Dostoyevsky accurately portrays
Alyosha as a very distinguished individual as oppose to the other brothers. Backed by his own achievements and qualities the author believes him to be the real hero, even before the start of the novel. Within the different stories of the other characters one can be questioned why someone like Alyosha would have such a title. After more review I believe that Dostoevsky had made a good decision. Although it was his decision, many facts could consider it a poor choice
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But oddness and eccentricity interfere with rather than help in the uniting of the strands and in the finding of some sort of common meaning in the general confusion.” (Dostoyevsky, xiii)
After a long story we are back to the beginning questioning the author’s choice of a hero.
The brothers in this story had been separate for some time; after being reunited the reader can clearly see the difference in character between one another. The three big characters I believe were important in the author’s decision were between Ivan, Dmitri, and Alyosha. Ivan who is very smart has no real desire to be religious. Dmitri, who has not decided his position of religion, is very much like his father comes across big conflicts and drives this book to different ends.
Lastly Alyosha, who is the youngest, and novice to a local monastery, he is seen as the good guy.
Blyman 2
Within this group questions emerge about life and true happiness, then events begin to unfold. This Russian piece argues about God’s existence, grace, and suffering of mankind.
In “A Trifle from life” by Anton Chekhov, Belyaev is clueless and nosey towards Alyosha. Initially, Belyaev wants to know what 's going on so he asks “Did father say anything about me?” (19) .In fact, Belyaev is nosey to know if bad things are being said about him. Alyosha tells Belyaev “‘You won’t tell mother’”
Throughout the novel of The Death of Ivan Ilych, Tolstoy conveys his thematic focus through his unique use of diction. Tolstoy examines several factors that have altered Ivan Ilych’s lifestyle. The only way to enhance our understanding of these factors is to observe how Tolstoy portrays Ivan’s evolving comprehension of what death means to him. Evidently, such portrayal can be thoroughly observed and understood by carefully analyzing Tolstoy’s use of diction. Furthermore, there are several themes that Tolstoy focuses on primarily, which are often associated with the depiction of the human existence as a conflict between different sides of the spectrum and Ivan’s tendency to alienate himself from the world.
Lastly Ivan is described as wearing a “crimson sash”(21). By using these colorful words, a leery suspense is created causing readers to ponder what will happen. By adding descriptive words a whole under layer of suspense is uncovered, just by using the thoughts of the reader. Similarly an evil presence is created in the character General Zaroff. By describing him with dark words, the reader knows that Zaroff is morally askew, but they can not quite put their finger on exactly how.
In contrast to everyone else, Alyosha does not put his physical survival first. It is his generosity that surprises the other prisoners, since in those living conditions the prisoners cannot help but be selfish. Possibly the reason why Alyosha is not selfish is because according to the Bible, selfishness is considered humiliating. Since his entire personality seems to be based on religion, perhaps Alyosha is a representation of devotees as a whole inside the camp. Furthermore, towards the end of the book Alyosha’s faith appears to affect Shukhov into having a similar mindset about his prison sentence.
The Death of Ivan Ilyich: The Lesson Tolstoy’s work of art is an education of a man’s transition to death. It is far from physical or even psychological; it is the mental, emotional, and spiritual battle that plagues Ivan Ilyich's inner being. The bodily deterioration of Ivan Ilyich is categorized by a corresponding increasing pursuit for purpose and meaning. Ivan Ilyich realizes that he did not live a good life and regretted the choices he made. By the time he actually realized his life was not what it should have been, he was unable to change it and make it better.
The archetypes analysed in this essay will be Stalin as ‘the wise leader’, as ‘the father of all people’, and as ‘the generalissimo’. To answer the research question, several academic works including those of Jan Plamper and Anita Pisch will be investigated, and paintings by the prominent Socialist Realism artists Deineka, Laktionov, Gerasimov and Vladimirskiy will
Tolstoy’s ability to interweave the environment with themes of materialism and death makes The Death of Ivan Ilych stand out as a piece that criticizes societal values. In his article “Tolstoy and the Moran Instructions of Death,” Dennis Sansom focuses on the influence of fighting chaos in Ivan’s eventual acceptance of his own death. Socrates wrote, “The unexamined life is not worth living,” and Ivan’s life mirrored this until the end (qtd. in Sansom 417) .
Tolstoy lived in protestant Russia during sociopolitical events that resulted in a consumerist middle class. Much like the earlier philosopher Henry David Thoreau, Tolstoy rejected materialistic desires. Throughout The Death of Ivan Ilyich, he emphasizes that Ivan’s physical possessions mean little to the character as he approaches his ever nearing death. This anti-materialist sentiment evolved from Tolstoy’s radical brand of Christianity. After several months of suffering in Tolstoy’s work, Ivan finally experiences genuine hope and solace after receiving communion; anger follows the short glimmer of happiness when he realizes that everything else that he had lived for means nothing (Tolstoy 214-15).
Shukhov’s day consists of harsh labour, strict inspections, and desired meal times. Throughout the novel, the reader is exposed to different kinds of people, whose stories are shared through flashbacks and events. Two minor characters who are introduced are Alyosha and Fetiukov, both having personalities on opposite ends of the scale. It is the the role of the minor characters which shape the development of the novel; they make up the novel like bricks in a pyramid. Alyosha is introduced to the reader with a title: the Baptist.
Dostoevsky provides his own response to Ivan’s accusations through his character, Alyosha. Alyosha acknowledges that Ivan 's approach and defense of atheism, "lies in that he renounces God out of love for mankind, comes forward against the Creator in the role of the advocate of all suffering creation" (Kiskaddon, Elissa. “Dostoyevsky and the Problem of God”). Alyosha tells Ivan his reason for rejecting God is simply a ‘rebellion’ and says; “One cannot live by rebellion...” (The Brothers Karamazov pg 245).
Every individual, especially those devotedly religious, has a differing perspective on God and the true nature of faith. Fyodor Dostoyevsky, in The Brothers Karamazov, bluntly displays the exploration into opposing notions of faith’s essence through two distinctly divergent religious characters, Zosima and Father Ferapont. Zosima represents a traditional, moral center that preaches love and faith as the catalyst to miracles where as Father Ferapont highlights the unorthodox through the expression of a physical and regimented approach to faith by propagating the importance of obeying religious rituals. Throughout interactions with other characters, Zosima displays an orthodox, spiritual hub.
The Brother’s Karamazov describes the life of a man, named Fyodor Karamazov, and his four sons. Each son represents a certain worldview which is explored throughout the novel. The oldest son, Dmitri, after arguing with his father over his inheritance, falls in love with a woman named Grushenka. When Fyodor is murdered, and three thousand roubles are stolen from him, the police accuse Dmitri because of his conflict with Fyodor. The Brothers Karamazov describes how three men with contrasting world views discover the corruption of their family and the truth behind a hideous murder.
There Is More Than One Type of Hero In “Notes from the Underground”, a fiction book by Fyodor Dostoyevsky, the Underground Man is not like the traditional main character in most other fiction books. Often books have a tragic hero where he or she either saves the days or unfortunately is killed. But that is not the case for this book, the main character shows characteristics that do not fit along the lines of a tragic hero at all. This paper argues that the Underground Man is most definitely not the tragic hero, but instead an anti-hero.
The two novellas “The Metamorphosis,” and “The Death of Ivan Llych” both describe the stories of two men suffering from dramatic events in their lives. The two men both suffer from the feeling of alienation from their families. The two stories can be compared in many ways, and give insight into the way these two characters found peace in their deaths. In the novella “The Death of Ivan Llych” Tolstoy shares a story of a man named Ivan Llych, who gave all his time and attention to his career, that drew a wedge between his marriage and personal life. When decorating the new home for his family, he slipped and hit his side on the window knob, which caused the decline of Ivan Llychs life and health to begin.
Saint Petersburg, the setting of Crime and Punishment, plays a major role in the formation in Fyodor Dostoyevsky’s acclaimed novel. Dostoyevsky’s novels focus on the theme of man as a subject of his environment. Dostoyevsky paints 1860s St. Petersburg as an overcrowded, filthy, and chaotic city. It is because of Saint Petersburg that Raskolnikov is able to foster in his immoral thoughts and satisfy his evil inclinations. It is only when Raskolnikov is removed from the disorderly city and taken to the remoteness of Siberia that he can once again be at peace.