Medieval Cathedral Architecture The Romanesque style was used from the tenth century to the twelfth century. The style was plain and often dimly lit in comparison to the open and intricate designs of the gothic style. Romanesque cathedrals had thick walls to hold up the heavy roof. This caused there to be few windows and narrow passageways. As a result of the lack of windows, torches were used to light the building. The change in style from Romanesque to Gothic took place in the early thirteenth century through the fifteenth century. The changes from Romanesque to Gothic fixed multiple problems that were faced with the Romanesque style. The Gothic style revolutionized medieval cathedrals. The cathedral of Notre Dame distinctly shows numerous …show more content…
Barrel vaults need the whole wall to be able to support the roof therefore causing the barrel-vault churches to have an absence of windows and be dimly lit. Groin vaults allow the church to be more open and let sunlight enter the building. Groin vaults were made by crossing arches at right angles. Moving the pressure from being exerted on the entire wall to where the arches met the pillars. Furthermore the groin vault was then replaced by the Gothic ribbed vault. The ribbed vault is an intersection of two to three barrel vaults forming an arch. With ribbed vaults and pointed arches there was room for additional openings such as doors and windows. One could find rib vaults used throughout Notre Dame. The rib vault was used as a modification of groin vaults to make up for its disadvantages. “Over the years, ribs were arranged in ever more elaborate patterns. Eventually, most ‘rib-vaulting’ served no structural purpose at all, but was purely for decoration” ( MacDonald 24 …show more content…
The arcade, which rests on a series of pillars and is made of solid stone. The triforium is the second level and the shortest of the three; composed of two to three arches and are often times embellished with carving and occasionally contained stained glass. The triforium got its name as it occupies the same position of the old triforia galleries in ancient Christian churches (Lace 57). However, in some instances, instead of a triforium there may be a gallery. This is the case in the cathedral of Notre Dame.The highest level is known as the clerestory soared up to sixty feet high and were adorned with colored glass in narrow arches. The clerestory of Notre Dame contains stained glass depicting the legend of Saint Genevieve. In earlier Romanesque churches, three stage walls were not possible because of the barrel
Roman and Romanesque vaulting consisted entirely in the design of the vaulting planes or surfaces without predication to their meeting lines or groins, whereas mediaeval vaulting consisted in profiling the groins which were standing first and supporting the vaulting surfaces which were made to adapt themselves to them
Structure of the Old North Church a. 4 floors built with wine brown bricks as Tower b. Then a part called Belfry which the bell is housed inside. c. Lantern is a level of a steeple tower that has opening around its sides, and allows the light to shine through the church d. Spire is a top white part of this steeple tower which has a pyramidal shape. e. Then there is a wine brown bricks church behind the steeple about half height of the steeple tower, with dark brown roof.
The influence of the Architect in the Gothic style from the Middle- Ages was rapidly spreading throughout the world reaching United States of America. The structure has survived through time and destructive whether. The Gothic
Cathedral. A Place of Communion? “The men who began their life’s work on [cathedrals], they never lived to see the completion of their work. In that wise, bub, they’re no different from the rest of us, right?”(paragraph 96).
Every color had an emotional connection, as did the size and design of architecture. Buildings were reaching out of Romanesque and into Gothic style, going from compartmentalized and dark, to letting in light and being open. The first example of this is the Rayonnet style, which emphasized the letting of light, and means, “to shine.” The open corridor was a sense of harmony, and the invention of the flying buttress allowed the Chartres Cathedral to have the open flowing and harmonious design it has today. The flying buttress was a support piece that kept the architecture from falling inward due to lateral thrust from the wall.
From 500 to 1500 AD Europe was not in a dark age, because of their advances with the Gothic Cathedrals, their conquests in the Crusades, and their organization within their Government. During 1163 through 1345 Europe had many architectural advancements, such as the Gothic Cathedral and the Notre Dame. According to the Gothic Cathedral document in Universities and Cathedrals it states,”Common features of gothic cathedrals included architectural innovations, including: large columns, high ceilings with ribbed vaults, flying buttresses, and large stained glass windows.” This quote supports that Europe was not in a dark age because it shows how many architectural innovations were made during this time period.
Correspondingly, in "Cathedral," the
The building was 200 ft tall, and the façade was excessively ornamented in a beautiful way, and in a mixture of different styles including Gothic, Baroque, Churrigueresque to illustrate the appearance of a Spanish Colonial church. The facade was made of stone, and it did not include usual ornamentation, but sculpted historical figures of remarkable and significant people mostly were
Poe was emphatically influenced by Gothic writing, and “The Cask of Amontillado” (1954) with its mind-set of crawling horror and imminent death in an Italian palazzo, most unquestionably demonstrates those impacts. This and numerous other Poe stories are rich in Gothic themes such as madness, cruelty, perversion, and obsession, and feature a various rationally unequal storytellers; Montresor positively qualifies on this number. Poe, in turn, influenced later Gothic writing, especially Southern Gothic. This strand highlights Poe-like dim diversion and gives careful consideration to mind boggling, agitated, even silly characters and the general public in which they live than to the powerful themes often supported in British Gothic fiction (Poe, Edgar Allan, 2001). "The Cask of Amontillado" refers to a nonexistent container of wine the speaker uses to attract a contender wine expert into a crypt so the narrator can kill him.
Within the pantheon almost all lines draw the viewers eyes to the Oculus. Another key element of the pantheon aside from the Oculus are the coffers, in addition to providing weight reduction within the dome the concentric rings created by the coffers radiate out from the Oculus carrying the ring down to meet the wall mimicking the Oculus (see fig. 1). Also present within the coffers are vertical line that converge at the Oculus. Both elements that bring attention to the focal point of the building. This trend continues onto the walls where the rectangular window like recesses in the walls are adorned with a pediment pointing upwards, likewise on the floor where rounded pillars are again capped with a pediment.
Edgar Allan Poe is one of the most influential writer of all time, as he was one of the first writers to explore darker themes through literature such as death and revenge. He has revolutionized the gothic genre for years to come. Throughout the many gothic works of Edgar Allan Poe including, The Raven, The Cask of Amontillado, and many more; Poe gives a unsettling tone which defines most of his writing. Poe tries to do this through incorporating specific literary techniques like erie imagery and cryptic diction.
One day, the marquis suggests that Julia should marry Duke de Luovo, an old, evil character, quietly the same as her father. Julia refuses to marry the duke and sinks in deep grief and depression but finally convinced by her brother Ferdinand to elope with Hippolitus, the night before her wedding. Unfortunately, their escape is failed; the Marquis and the Duke attack the couple in the hollow tunnels underneath the castle. The marquis stabs Hippolitus and throws Julia in a solitary boarding prison located on the remote south part of the castle grounds. 25 Later, Julia was informed that Hippolitus has died.
The Pantheon and Brunelleschi 's Dome in Florence both share a common idea of the dome in ancient history. They were built and different times, the Pantheon and Brunelleschi 's Dome differ in both design and architecture. This paper is going to analyze the Pantheon in Rome and Brunelleschi 's Dome in terms of their constructional and design techniques, and their historical circumstances of the construction of them both. The Pantheon is one of the remaining and properly maintained buildings of the first century.
usually associated with important events like the climatic, anticipating moments in the novel or the appearance of the evil figure .84 Thirdly, the Gothic Hero (Protagonist) , in any gothic fiction a vicious character is substantial to establish the atmosphere of horror . However, a gothic hero is not necessarily a gothic villain . As in early gothic novels, specifically Radcliffean gothic fictions, the gothic protagonist is simply a helpless heroine: The very words "Gothic heroine" immediately conjures up a wealth of images for the modern reader: a young, attractive woman running in terror through an old, dark, crumbling mansion in the middle of nowhere, from either a psychotic man or a supernatural demon.
The term gothic came into use in post-medieval times when the work of the Middle Ages men considered being crude & barbaric. I believe that this term was given to this style due to its structure; huge stone walls with pointed arches & gargoyles for example as mentioned by Jonathan Glancey, an architectural critic who worked as the architecture and design editor at ‘The Guardian’ in his book ‘Architecture: Eyewitness Companion Guide’, “High above the naves of these ship-like structures, and often well out of range of the human eye, we find expertly carved angels, demons, fronds, and finials: nothing was too good for the all-seeing eye of the heavenly