Junie B. Jones The Musical is about Junie B. Jones’ adventures in first grade. These range from losing old friends and making new, to making the most of an injury, and to finding self-confidence when wearing new glasses. I saw the production at Columbus State University directed and choreographed by Brenda May Ito as part of the Columbus Repertory Theatre.
Upon entering the theatre, Tim McGraw’s design makes you immediately feel as if you were there to see a show that appeals to young audiences or to the child inside all of us. The bright colors on the downstage flats along with the purposely inexact lines allude that we are not only there to see a children’s show but are entering a child’s world. The flats upstage are painted to look like notebook paper with doodles on it, to anyone who knows the story of Junie B. Jones, will immediately feel connected to the story with the allusion to her Top Secret Personal Beeswax Journal. However, the scenic painting on the upstage flat looked realistic and intentional and the downstage ones looked hurried and it was detrimental to the cohesion of the design. It was a shame that the upstage series of flats were separating, because it was a very nicely designed piece. Furthermore, there was some very nice roll on units, such as the windows with brick outlines that came on for the kickball tournament. They were not only beautiful pieces on their own, but it really brought the audience outside the
…show more content…
The kids were clamoring to get their pictures taken with the cast. To me the most impressive part of the experience was watching the interaction between the actors and the kids. The actors clearly understood they were still playing a role and that they had to be giving of their time and energy to them. Seeing the kids reactions solidifies that shows like this will keep the theatre culture growing by building new generations of audience
The author also uses this imagery for us to see what was really great amount Ms.Harriet’s room and so the reader can also feel the envy of being in such a classroom and fantasizing about being there with the author. As she envies the activities that go on in Ms.Harriet’s classroom
It was much different than anything I have been too. The two main narrators made this circus Olay act, even more entertaining by being humorous. A great deal of times these two narrators made almost the whole crows grin and chuckle. For my family and me, we could not stop smirking or laughing the entire time. What else brought uniqueness to this performance is that they got people from the crowd involved in a couple instances.
Junie B. Jones gets on the school bus to head to head to her first day of school, but she can’t find anywhere to sit or anyone to sit with. When the bus arrives at school, all of the kids start pushing and steeping on Junie B Jones. Lucille tells Junie B that the mean kids on the bus like to pour chocolate milk on other kid’s heads for fun. At the end of the day when it’s time to get on the bus to go home, Junie B won’t get on the bus. Instead, she went and hid in a closet.
This is used to compare the visual from before, in which the children looked as if they weren’t human and detached from one another. Dominating the image are two young children who are laughing and entertaining themselves with a spade and shovel, portraying the immediate shift in behaviour once they are initiating in proper social activities. Thus, readers are enlightened and encouraged to stand up and be apart of the solution. Smith also provides the audience with a range of advantages in taking the kids outsides, from no more “arguments and demands” to “a child’s first ecstatic experience of buoyancy”; they are positioned to prevent further interactions with screens by allowing them to experience the outside world and enhance their “world of senses” and “childhood
The production ‘Chores´ had a fantastic impact on the audience. It successfully covered all elements of drama into the production
It all started when Mrs. Flores made me promise I would become a writer... The end of eight grade had finally come. It was student day and I bought Mrs. Flores and orchid.
On July 24, 1701, the oldest city outside of the original thirteen colonies was founded. This city would go on to be one of the more fascinating cities of the United States. Not only is this city home to riveting buildings, such as the only floating post office in America, but it is also home to Motown. This city is Detroit. With the merger of different styles of jazz and blues, Detroit was filled with potential; it wasn’t until Motown, though, that this talent reached a national level.
In addition, I think if we ran it one or two more times, we could have tightened up the scene more. Aside from that, the audience reacted very well to the scene. A lot of people enjoyed it and we got a lot of positive feedback. If I were to do this scene again, I would maybe have changed the characters around a little bit. The roles we had worked, however, I think it wasn’t the strongest
Music 1920s You can call it what you want, start of the great depresion, The Roaring 20s. But when look at that time, I see the decade my grandpa was born. Along with some of the best music in history. Yes, it is jazz. If you hate it, that is your mistake.
The 1960s was a tumultuous decade for the United States. Along with the escalation of the Vietnam War, this decade was rocked by the Civil Rights movement and the second wave of the Feminist movements, creating an immense amount of social tension. As a result, people turned to politically-charged music, predominantly Rock n’ Roll, to release their frustrations. However, an equally important musical genre, Soul, was left in the background. Despite the fact that Soul music was not as popular in the United States, artists such as Aretha Franklin released many politically-charged songs that advocated for social justice.
I seem to absorb advertisements quicker than I can process them; they breeze past any cognitive thought or qualifications and set up shop as doctrines for my life. Moreover, some advertisements are denied with twisted logic, like using brand loyalty to make decisions. In an effort to gain better understanding of advertising’s art of persuasion, I have been studying the rhetorical appeals and attempting to identify them in my daily ad intake. They are: pathos, an appeal to emotions; logos, an appeal to logic and reasoning; ethos, an appeal to credibility; and Kairos, the timeliness of the appeal. Recently, while walking through Overton Park, I came across a sign that advertises three park features: a zoo, art college, and art museum; rather
The hopes of Wes, Mary, and many others can be depicted through the sight of their new neighborhood in which “flowerpots were filled with geraniums or black-eyed Susans, and floral wreaths hung from each wooden door” (Moore 56). Not only does this use imagery to describe the beauty of Dundee Village, but the metaphoric aspect contributes to the message that Moore is trying to
When Lydia tells George the nursery is not normal, his first instinct is to check out the nursery for any obvious signs of abnormal activity. As soon as George steps into the room begins to transform, “Now, as George and Lydia Hadley stood in the center of the room, the walls began to purr and recede into crystalline distance, it seemed, and presently an African veldt appeared, in three dimensions, on all sides, in color reproduced to the final pebble and bit of straw. The ceiling above them became a deep sky with a hot yellow sun” (Bradbury). By explaining each aspect of the nursery creating a scene of a veldt, Bradbury helps the reader imagine how the nursery would change from a room to what seemed like an actual African savannah, even down to the smallest detail. Though the nursery was only meant to be a room that provided a realistic, yet virtual, representation of scenes for its users, it became much more real and even dangerous.
The productions of this play were successful through stage design, lighting crewing, and acting. Those three aspects made the quality of the play stand out to me, as an audience member. The production of the set design of the play was a good effort. The set design for the play staging aims for the sweet spot between feeding adult nostalgia and satisfying a new generation of children.
I liked that Paula Vogel did not hold back and let all of the emotions of the play loose. I am anticipating that I will enjoy the play. I personally think I would like it more if the characters were portrayed by only people rather that people holding puppets, but they have too much symbolic meaning to be left out. I think the puppets are meant to resemble the fact that we really have no control over our own lives as children. The release of the real people from the puppets into adults symbolizes the freedom from their