Throughout the graphic novel, Persepolis, the author Marjane Satrapi uses the thematic idea of family to represent that when a country goes to war, the ones that care about you should always be there for you, no matter the circumstance. Satrapi prioritizes family during the war, because during the violent Iranian Revolution, the lives of others, especially the enemy, become an afterthought. People like Marji need their family during this time of struggle because without them, nobody can guide and assist her, therefore, she will get lost on her path to becoming a mature adult. Family is the one thing in life that is unchangeable, and in the graphic novel Persepolis, it is essential for every character to love and care for their own. To begin, …show more content…
One way they do this is by not allowing Marji to attend the demonstrations against the Shah. On page 16, Marji expresses her extreme desire to go demonstrate with her parents the next day. Marji’s father, Ebi, claims that “it is very dangerous. They shoot people!” (17), and that Marji “can participate later on” (17). These restrictions anger Marji greatly, because she wants to become an adult and attend the demonstrations right alongside her parents. Following the demonstrations, when the actual war starts, Marji’s parents take her on a vacation to Italy and Spain, for three whole weeks. This may seem to Marji as a fun vacation, but its true purpose is because the Satrapi family may never get to go on vacation again, and the war is coming and they do not want to be in Iran when it begins. Without her parents Marji would be stuck in Iran, helpless, and most likely dead from the demonstrations. Satrapi creates the motif of Marji’s parents caring about her to show how significant their actions are for Marji’s life and well being. This means that even though the war is coming and Marji’s parents could be busy demonstrating against it, they choose to be there for Marji and get her out of there, to somewhere where she is safe for a
People are like cameras and their personal experiences can be their lenses that change and modify the actual picture. This evident in Marjane Satrapi’s book Persepolis because the whole book is about a girl growing up, and forming her own opinions. Furthermore, Marjane has to mature in the turmoil of an Iranian-Iraqi war, she also has to survive the brutal Islamic regime governing her. This creates a very particular point of view considering that the parents raising Marjane are against the new form of government, and actively protest, risking their lives. As a result, this rubs off on her creating a very rebellious and dauntless little girl, who isn’t afraid of the new oppressors.
Family is one of the biggest impact on people's lives in numerous ways. They help to teach each other perseverance even in the toughest times. In the novel Night by Elie Wiesel, Elie was able to survive the countless nights in the concentration camps because he knew he had his father right by his side throughout it all. In the novel Sold by Patricia McCormick, young Lakshmi did not have her family in person with her at the Happiness House, but she had them in her thoughts constantly. It was these thoughts that allowed her to keep going even when nothing was what she thought it would be.
There is an established thought that every person must be an active participant in their life, and this is done by making choices; however, it is accepting responsibility that controls our lives and the people around us. Marjane Satrapi is an outspoken female, who is not afraid to stand up for something she believes in. As she grew up, Islamic Fundamentalists created strict moral and dress codes for the people of Iran. As a woman, she was forced to wear a hijab in a certain manner. At the time, Marjane was studying at an art school.
In Rot & Ruin, the author uses the theme of family being important. Here is a example of the theme from the book “He barely liked his family-and by family he meant his older brother. Tom.” The conflict is that Benny and Tom do not have a good relationship and have grudges against each other. If you hold grudges against your family or do not have a good relationship with your family, you will have no one to fall back on and you will be by yourself.
The love of a family is life’s greatest blessing. In life, there is a universal desire for oneness among people—we want to belong. It is why we collaborate, support common causes, cheer for sports teams, feel nationalism; it’s why we build villages, towns, and cities. Families are where we connect ourselves in relationships to past, current, and future generations. For many, family is not only a blessing, but our greatest accomplishment.
An impenetrable way through perseverance and resistance in the book “Persepolis” has sent a powerful message to audiences everywhere. This graphic novel is a story of small Marji, who had to face formidable obstacles through her childhood. Living in Iran surrounded by war and thousands of deaths, inspired the little girl to fight for her rights. On page 102 of the book, we can see a powerful juxtaposition, where both of the panels have a profound effect on the reader. Looking at the elements of a graphic novel, Satrapi uses caption, movement and mood in both of the panels in order to enhance the significance on the narrative.
During the Islamic Revolution, religion was very important to the fundamentalist Islamic regime that took power over the secular state. In her graphic memoir, Persepolis, Marjane Satrapi, a spiritual young girl, suffers a deep loss of faith due to the oppressive fundamentalist religion in Iran. This loss of faith causes Marji to experience disillusionment and a loss of identity, which greatly shapes her character. Through her experiences with God, Satrapi comments on the difference between spirituality and fundamentalist religion and displays the negative repercussions of an oppressive religious state.
Have your younger siblings ever had a completely different view on something such as where to go out for dinner or what show to watch on television? It is important to realize that the two of you are going to have different perspectives because you are at different ages and the two of you have different interests. As a matter of fact, Marjane Satrapi’s perspective as a child is different from when she gets older because of her loss of innocence, her political and social awareness, and her views on religion. At the beginning of Persepolis, Marjane is around the age of ten. By the end of the story, Marjane is around the age of fourteen.
The story begins with the life of marjane and ends with her life. But in the background, the novel involves the war in Iran. Iran is always at war which includes the Iranian revolution and the struggle of people after the revolution. Though these are not implied does not affect their significance. They have a very important function of shaping the actions of the characters of novel which have long lasting effects.
Families can be regarded as the foundation of society. For Fleetwood (2012: 1), the importance of families is highlighted by the fact that it would be difficult to comprehend a society that could function without them. In addition, even though families and their compositions vary across societies and cultures, the family can be viewed as a universal social institution (Macionis & Plummer, 2012: 625. Specifically, according to Macionis and Plummer (2012: 625) and Neale (2000:1), it has the ability to unite individuals into cooperative groups via social bonds (kinship) and is ultimately experienced differently from individual to individual. However, the family can be a source of conflict, tension and inequality, which is why one of the key practices
The role of politics in Marjane Satrapi 's life is a critical one, as seen in her graphic novel Persepolis, which narrates her experiences as a young girl raised by revolutionaries during turbulent times in Iran. Particularly, Satrapi uses juxtaposition between her parents and children to highlight the hypocrisy and myopia of the upper class revolutionaries when it comes to the interpretation and implementation of their political ideology. Satrapi builds the foundation of her criticism through the superficial comprehension her child self exhibits regarding her parents '—and, by extension, upper class communists '—ideals, then warns about the dangers that such lack of understanding presents through child soldiers who are fed ideologies and then sent to war. However, while pointing out the shortcomings of the movement, Satrapi 's use of children as the vessels for comparison entails that there is room for the communist community to develop, like Marji does as she matures from child to teen, and encourage equality through the removal of social barriers created through binaristic thinking to truly promote communist ideals. The first point of juxtaposition is Marji herself, particularly her initial myopic thinking as a child.
In this chapter Marjane’s parent had just gotten back from their trip with all their smuggled goodies for Marjane. The fourth panel on page 132 depicts Marjane walking down the street in her denim jacket singing about kids in America. Not only does her jacket and neck scarf oppose the Islamic regime but her singing cheerfully about kids in America does as well. In the background you can see angry adults yelling and pointing at her most likely because of the casual clothes she is wearing. This demonstrates opposition to the regime because it shows her going against laws in her own free will to show what she loves.
Instead of a simple coming-of-age story, Satrapi outlines the social and economic conditions that shaped her childhood and adolescence. The simplicity of a child’s mind and her confusion at adult notions is a constant theme in the book. This is brought forth in Marji’s childlike understanding of the
However, Marjane 's expression is sad while she says this and shows she is not alright. This reveals that Marjane is in denial and how contradictory her words to her emotions are. Furthermore, the next page displays
With all things considered, the personal nature of the story is expertly expressed through Marjane’s loss of innocence, her beliefs and opinions on her religion, and her experiences with gender